Maria Irene Fornes Criticism
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Fornes, Maria Irene (Contemporary Literary Criticism)
- Introduction
- Principal Works
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Criticism
- Seeing with Clarity: The Visions of Maria Irene Fornes
- Pressing Clothes/Snapping Beans/Reading Books: Maria Irene Fornes's Women's Work
- Re/Presenting Gender, Re/Presenting Violence: Feminism, Form and the Plays of Maria Irene Fornes
- The State of Grace: Maria Irene Fornes at Sixty-Two
- Traces of Brecht in Maria Irene Fornes' Mud.
- Fornes's Odd Couple: Oscar and Bertha at the Magic Theatre
- Review of Enter the Night
- Crossing Cultures and Kinds: Maria Irene Fornes and the Performance of a Post-Modern Sublime
- The Starfish and the Strange Attractor: Myth, Science, and Theatre as Laboratory in Maria Irene Fornes's Mud.
- Formalism and the Return to the Body: Stein's and Fornes's Aesthetic of Significant Form
- Her Championship Season
- Black Cats and Green Trees: The Art of Maria Irene Fornes
- Notes on Fornes (with Apologies to Susan Sontag)
- ‘They are Well Together. Women are Not’: Productive Ambivalence and Female Hom(m)osociality in Fefu and Her Friends.
- Further Reading
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Fornes, Maria Irene (Drama Criticism)
- Introduction
- Principal Works
- I Write These Messages That Come
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Overviews And General Studies
- The Real Life of Maria Irene Fornes
- A preface to Maria Irene Fornes: Plays
- The Madwoman in the Spotlight: Plays of Maria Irene Fornes
- Still Playing Games: Ideology and Performance in the Theater of Maria Irene Fornes
- Hen in a Foxhouse: The Absurdist Plays of Maria Irene Fornes
- Early Plays, 1963-1968: Production, Experimentation, 'Learning the Ropes'
- Palimpsests
- Fefu And Her Friends
- Further Reading