Marguerite Duras

Marguerite Duras Criticism

• Duras, Marguerite (Vol. 11)
  • Introduction
  • 'Les Viaducs de la Seine-et-Oise': Duras' Dramatic Debut
  • Crime and Detection in the Novels of Marguerite Duras
  • 'Dix heures et demie du soir en été': The Heroine as Artist, A New Dimension
  • An Incantation of the Sirens: The Structure of 'Moderato Cantabile'
• Duras, Marguerite (Vol. 100)
  • Introduction
  • Principal Works
  • Criticism
    • Risking an Opinion
    • Duras and Her Thoughts of Love
    • The Life of Marguerite Duras
    • An interview with Marguerite Duras
    • A Man, a Woman and a Voyeur
    • Marguerite Duras Makes No Sense, Compellingly
    • If Revenge Is Duras' Aim, Then It's Also Her Muse
    • The North China Lover
    • The Telling Remains
    • Eternally Unpredictable
    • Writing Power in Duras' L'Amant de la Chine du nord
    • Deja Vu Again
    • Emerging from the Shadows: Fratricidal Moves in Marguerite Duras' Early Fiction
    • Marguerite Duras, 81, Author Who Explored Love and Sex
  • Further Reading
• Duras, Marguerite (Vol. 20)
  • Introduction
  • 'Destroy, She Said'
  • The Festival and Awards Game: Unmagnificent Seventh
  • Festivals 69: London
  • 'La Musica'
  • 'Nathalie Granger'
  • 'La femme du gange'
  • 'Woman of the Ganges'
  • The Novelist as Filmmaker: Marguerite Duras' 'Destroy, She Said'
  • The Most Feminine Film I've Ever Seen
  • Review & Interview: 'India Song'
  • The Left Bank Revisited
  • Killing Time
  • Contrasts
  • Film Festival: 'The Truck' Talks and Talks but It Says Very Little
  • Two for the Road
  • The Cinema of Marguerite Duras: Sound and Voice in a Closed Room
• Duras, Marguerite (Pseudonym of Marguerite Donnadieu)
• Duras, Marguerite (Vol. 3)
• Duras, Marguerite (Short Story Criticism)
  • Introduction
  • Principal Works
  • Criticism
    • Times Literary Supplement (essay date 1966)
      • The Boy Next Door
    • A Short Story of Marguerite Duras
    • The Anti-Novels
    • Salvation Through Drinking in Marguerite Duras' Short Stories
    • Form and Meaning in Marguerite Duras' ‘Moderato Cantabile’
    • Language as Ritual in Marguerite Duras's ‘Moderato Cantabile’
    • The Banquet Scene in ‘Moderato Cantabile’: A Stylistic Analysis
    • Death and Desire in Marguerite Duras' ‘Moderato Cantabile’
    • Gender, Reading, and Desire in ‘Moderato Cantabile’
    • Resolution in Marguerite Duras's ‘Moderato Cantabile’
    • Women and Fictions in Marguerite Duras's Moderato Cantabile
    • Life in a Moment
    • Marguerite Duras: Women's Language in Men's Cities
    • Saigon Mon Amour
    • Marguerite Duras
    • Fiction
    • Introduction
    • A Game Played: ‘Moderato Cantabile’
    • The Blanks
    • Marguerite Duras: Sexual Difference and Tales of Apocalypse
    • Family Reflections and the Absence of the Father in Duras's ‘L'Amant’
    • Feminist Family Romances
    • Fiction and the Photographic Image in Duras' ‘The Lover’
    • Fiction and Autobiography/Language and Silence: ‘The Lover’ by Marguerite Duras
    • Writing the Subject: Exoticism/Eroticism in Marguerite Duras's ‘The Lover’ and ‘The Sea Wall’
    • Transgressive Bodies
    • Coming of Age Stories: Defining the Woman and the Writer
    • The Cafe Duras: Mourning Descriptive Space
    • The Drive for Power in Marguerite Duras' ‘L'Amant’
  • Further Reading