Margaret Laurence World Literature Analysis

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Last Updated on May 8, 2015, by eNotes Editorial. Word Count: 2626

In an autobiographical essay, “Books That Mattered to Me” (1981), Laurence recalled that in college she discovered Canadian writers who were striving to understand what it meant to be Canadian. From her exposure to these writers, Laurence learned that as a writer she would have to “write out of my own place, my own time, my own people.” This declaration serves as a good starting point for understanding Laurence’s strengths as a Canadian author. She is first and foremost Canadian in her identity and in her values. Readers of her books will gain insights into the ways in which the vast Canadian landscape affects the choices and struggles faced by individuals and by families. When Laurence discovered her roots, she also discovered her strengths. In doing so, she set the foundation for her finest writing.

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The importance of that sense of “place” and its relationship to a character’s identity and values is best reflected in her creation of a specific fictional town she called Manawaka, based to a great extent on her hometown of Neepawa, Manitoba, Canada. Her creation of Manawaka reflects also the primacy of the autobiographical elements of Laurence’s fiction. All the heroines in the Manawaka novels and short stories can trace their backgrounds or roots in some way to the fictional Manawaka. Often Laurence used specific settings, such as the town cemetery, her grandfather’s funeral parlor, the dance hall, or the junkyard, as symbolic settings in which her characters could interact. Just as William Faulkner did in his creation of Yoknapatawpha County (the county seat of Jefferson is based in part on Oxford, Mississippi), Laurence transformed the townspeople and the literal settings to serve the purposes of her art. It is impossible to separate the meanings of Laurence’s characterizations, conflicts, and themes from the sense of place that is generated by her blending of autobiography and fiction.

Her experiences in Somaliland and Ghana in the 1950’s certainly were formative ones in her career as a writer. The works based on her African experiences reflect the struggles of individuals from diverse cultures trying to communicate with one another and accommodate one another’s needs. Similarly, these works concern the problems faced by a country preparing itself for independence. Many of her stories emphasize the outsider’s point of view, perhaps reflecting her own status as a Westerner living in an alien culture.

Laurence was acutely aware of the theme of the insider/outsider. She was able to empathize with the plight of people who lived under the domination of colonial powers and thus were, in many respects, outsiders in their own lands because they were subject to oppression. As a Canadian author, she understood that feeling of being outside the main political and economic power base in the Western Hemisphere. As a woman, she was aware of the struggle of women to free themselves from the domination of men. In her creation of the town of Manawaka, she was identifying with the conflicts that arise between the narrow-minded citizens of a small town and the outsiders who dare to challenge the security of the status quo. Laurence gave voice in her characters to a diverse set of ideas that challenged old assumptions.

Whereas men were the dominant characters in her African stories, women are the dominant characters in her Canadian fiction. Each of the Manawaka books features the experiences of a separate heroine. Four of the women are from Manawaka; the fifth, Morag Gunn, is an outsider who seeks to escape from the town after she has become part of its fabric. Morag is also a novelist and thus perhaps most closely represents the viewpoint of someone who, like Laurence, had to stand on the outside in order to portray...

(The entire section contains 2626 words.)

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Margaret Laurence Long Fiction Analysis


Laurence, (Jean) Margaret (Vol. 13)