Further Reading
- Alvarez, Kate. Reviews of Surfacing and Good Bones. TLS: Times Literary Supplement (1 July 1994): 22. (Negative assessment of Good Bones.)
- Banerjee, Chinmoy. "Atwood's Time: Hiding Art in Cat's Eye." Modern Fiction Studies 36, No. 4 (Winter 1990): 513-22. (Discusses the various narrative voices Atwood uses in Cat's Eye.)
- Bayley, John. "Dry Eyes." London Review of Books 13, No. 23 (5 December 1991): 20. (Compares the stories in Atwood's Wilderness Tips favorably to the works of Nadine Gordimer and Elizabeth Bowen.)
- Beaver, Harold. Review of Selected Poems II: Poems Selected and New, 1976–1986, by Margaret Atwood. The New York Times Book Review (3 April 1988): 12. (Praises Atwood's insights into women's issues in Selected Poems II.)
- Berne, Suzanne. "Watch Your Back." Belles Lettres 7, No. 1 (Fall 1991): 43. (Positive review of Wilderness Tips noting Atwood's "wry [and] disdainful" authorial voice.)
- Birch, Dinah. "Post Feminism." The London Review of Books II, No. 2 (19 January 1989): 3, 5. (Explores Atwood's Cat's Eye and Interlunar as expressions of the author's "personal postfeminism" and praises Atwood's insights about the nature of suffering.)
- Clute, John. "Embracing the Wilderness." TLS No. 4393 (12 June 1987): 626. (Review of Bluebird's Egg and Other Stories and The Oxford Book of Canadian Short Stories in English which Atwood edited with Robert Weaver.)
- Cooke, Nathalie. Margaret Atwood: A Biography. Toronto: ECW, 1998, 378 p. (Biography of Atwood.)
- Crace, Jim. "Off-Cuts." TLS (23 March 1984): 311. (Negative review of Murder in the Dark.)
- Deery, June. "Science for Feminists: Margaret Atwood's Body of Knowledge." Twentieth Century Literature 43, No. 4 (Winter 1997): 470–86. (Analyzes the role of science in Atwood's work.)
- Deveson, Richard. "Lashing Out." New Statesman 107, No. 2764 (9 March 1984): 25. (Mixed review of Murder in the Dark.)
- Givner, Jessie. "Mirror Images in Margaret Atwood's Lady Oracle." Studies in Canadian Literature 14, No. 1 (1989): 139-46. (Analyzes Atwood's displacement of conventional literary imagery in Lady Oracle.)
- Givner, Jessie. "Names, Faces, and Signatures in Margaret Atwood's Cat's Eye and The Handmaid's Tale." Canadian Literature, No. 133 (Summer 1992): 56-75. (Discusses Atwood's use of autobiographical elements in the two novels.)
- Greene, Gayle. "Survival Strategies." The Women's Review of Books IX, No. 4 (January 1992): 6-7. (Praises Wilderness Tips for combining "the power of [Atwood's] fiction with the complexity of her poetry.")
- Keefe, Joan Trodden. Review of Selected Poems II: Poems Selected and New, 1976–1986, by Margaret Atwood. World Literature Today 63, No. 1 (Winter 1989): 103-04. (Praises Selected Poems II and calls attention to the literary significance of Atwood's career.)
- Kildahl, Karen A. "Margaret Atwood." Critical Survey of Short Fiction, edited by Frank N. Magill, pp. 13–19. Salem Press, 1987. (Discusses defining characteristics of Atwood's short fiction.)
- Makay, Shena. "The Painter's Revenges." The Times Literary Supplement, No. 4479 (3 February 1989): 113. (Applauds Atwood's fidelity to childhood experience in Cat's Eye and calls the book "probably Atwood's finest novel to date.")
- McCombs, Judith, ed. Critical Essays on Margaret Atwood. Boston: G. K. Hall & Co., 1988, 306 p. (Collection of critical essays on Atwood's work, including her short fiction.)
- McCombs, Judith and Carole L. Palmer. Margaret Atwood: A Reference Guide. Boston: G. K. Hall & Co., 1991, 735 p. (Primary and secondary bibliography.)
- Miner, Madonne. "'Trust Me': Reading the Romance Plot in Margaret Atwood's The Handmaid's Tale." Twentieth Century Literature 37, No. 2 (Summer 1991): 148-68. (Examines Atwood's treatment of heterosexual love in The Handmaid's Tale.)
- Morris, Mary. "The Art of Fiction CXXI: Margaret Atwood." Paris Review 32, No. 117 (Winter 1990): 69–88. (Atwood discusses the major themes of her work as well as her creative process.)
- Nicholson, Colin, ed. Margaret Atwood: Writing and Subjectivity: New Critical Essays. New York: St. Martin's Press, 1994, 261 p. (Compiles recent critical essays on Atwood's fiction and poetry.)
- Nischik, Reingard M. "Speech Act Theory, Speech Acts, and the Analysis of Fiction." Modern Language Review 88, No. 2 (April 1993): 298–306. (Analyzes Atwood's utilization of language.)
- Norfolk, Lawrence W. "Do They Travel?" The Times Literary Supplement, No. 4507 (24 August 1989): 903. (Praises Interlunar and analyzes Atwood's use of dark and light imagery.)
- Richards, Beth. "Interview with Margaret Atwood." Prairie Schooner 67, No. 4 (Winter 1993): 8–12. (Brief interview.)
- Roraback, Dick. Review of Good Bones & Simple Murders. Los Angeles Times Book Review 62 (19 February 1995): 6. (Laudatory review.)
- Rosenberg, Jerome H. Margaret Atwood. Boston: Twayne, 1984, 184 p. (Critical survey of Atwood's works.)
- Russell, Brandon. "Eavesdropping." TLS (17 August 1984). (Review of Dancing Girls.)
- St. Andrews, B. A. "Requiem for an Age." Belles Lettres 5, No. 3 (Spring 1990): 9. (Calls Atwood "a master at distilling essences and delineating profiles of our age" and praises Cat's Eye as "a massive and moving novel.")
- Thurman, Judith. "Books: When You Wish Upon a Star." The New Yorker LXV, No. 15 (29 May 1989): 108-10. (Finds Atwood's depiction of childhood in Cat's Eye to be truthful and compelling, but objects to the "bullying" tone of the book's prose.)
- Towers, Robert. "Mystery Women." The New York Review of Books XXXVI, No. 7 (27 April 1989): 50-2. (Praises Atwood's attention to detail in Cat's Eye.)
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