Act II Summary
The second act begins with an imagined scene at the National Assembly, where Marat challenges the actions of those in power post-revolution, arguing they are no better than before. His words evoke mixed reactions; some applaud him while others, including Duperret, question his facts and motives. Coulmier, unable to tolerate it any longer, jumps up and demands that Sade remove these parts from the play. Roux interrupts, further agitating the patients.
Marat, worn out, is back in his bath, attended by Simonne. He is once again trying to put his thoughts to paper. Sade, standing aside, questions the value of his writing, suggesting it accomplishes nothing. Marat defends his actions, stating that his writing was always meant to inspire action, not replace it. Sade, however, persists and points out the dismal state of the revolution. Marat is left feeling confused and fatigued.
Corday prepares for her final visit to Marat's bath, holding her dagger. Duperret pleads with her to abandon her plan and run away with him. She refuses and resolutely heads to Marat's door. At this point, Sade interjects his thoughts on sensuality, inciting the patients to chant, "what's the point of a revolution without general copulation." Corday knocks on Marat's door and is invited inside.
The Herald briefly recounts history, highlighting fifteen glorious years since the revolution and Napoleon's rise. Corday then kills Marat in his bath.
Coulmier attempts to conclude the play, insisting once again that "we live in far different times." However, the patients are riled up and begin marching around the stage. Coulmier calls on the nurses to subdue them. As the nurses violently beat the patients, Sade watches and laughs. The play ends.
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