Review of The Man Who Was Thursday
Among our audacious latter-day sophists, who so neatly make the worse appear the better reason, Mr. Chesterton is gaining a high place. Indeed, he may almost dispute the honors of leadership with the priest-in-chief of the cult of paradox, Mr. G. Bernard Shaw. His latest "budget of paradoxes" takes the form of a novel—or, rather, of a fantastic invention, which has to be described as fiction because it bears no conceivable relation to reality. Even the author balks at his own imaginings, and passes off the whole invention as a dream when he comes to the last chapter. It is called The Man Who Was Thursday, and has to do with the conflict between anarchy and order. A central council of anarchists, seven in number, bear the names of the days of the week (which accounts for our title), and, under the leadership of an awe-inspiring Sunday, develop their programme of treasons, stratagems, and spoils. The gigantic humor of the conception is that these seven men are really Scotland Yard detectives, spying upon each other; for each of them thinks that all the others are genuine anarchists. The amount of fun that Mr. Chesterton gets out of this situation may readily be imagined, as well as the opportunity it affords him for the exercise of his talent for paradox. Like most dreams, the story grows more wildly impossible as the awakening is neared. It is a highly entertaining yarn, and exhibits the author in the light in which he ought always to be viewed—the light of a man not for a moment to be taken seriously upon any subject, but simply to be admired for a combination of nimble wit with diabolical cleverness.
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