Critical Evaluation

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Last Updated on May 12, 2015, by eNotes Editorial. Word Count: 582

Jean Genet, who spent most of his early life in prison, is considered one of the most important French writers of the twentieth century. His writing centers on the themes of illusion versus reality, freedom versus slavery, and the ultimate similarity of good and evil. Throughout his writing, Genet expresses his philosophies: that there can be no evil in evil, since the double negative would make a positive, thus good; that the police and criminals are both outcasts from society and, therefore, equals; and that fiction was too often confused with reality and must be separated. His writings are mostly concerned with criminals, prostitutes, and servants. In The Maids, Genet expresses these concepts primarily through the characters of the maids, who begin and end the play pretending to be mistress and servant.

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Genet was bothered by the concept of suspension of disbelief upon which most plays and films rely. In his instructions for producing The Maids, Genet originally stated that he wanted men to play the roles. His intent, according to his greatest patron, Jean-Paul Sartre, was to show the artificiality of the play and the players. If a woman played the role of Claire, she would have to play only a maid and a maid playing her mistress; a man, however, would have to play not only the maid and the maid playing her mistress but also the woman, thus bringing one more level of artifice to the play.

The falseness of the play is further revealed through the maids’ game. They take turns pretending to be the mistress, imitating her. The play has several levels: men playing women, women playing maids, maids playing the mistress, and men playing women playing maids playing the mistress playing a maid. It is when there is a slip in the action, an unexpected intrusion or word, that the levels become confused, such as the time Claire comments on the milkman. The complex circularity of the play goes further, however, when Genet introduces the concept of love. The maids talk about how they love Madame, but, as Solange says, filth cannot love, which must mean they hate Madame—not because she is mean or cruel to them, but because she is good and therefore...

(The entire section contains 582 words.)

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Critical Context