Jean Genet, who spent most of his early life in prison, is considered one of the most important French writers of the twentieth century. His writing centers on the themes of illusion versus reality, freedom versus slavery, and the ultimate similarity of good and evil. Throughout his writing, Genet expresses his philosophies: that there can be no evil in evil, since the double negative would make a positive, thus good; that the police and criminals are both outcasts from society and, therefore, equals; and that fiction was too often confused with reality and must be separated. His writings are mostly concerned with criminals, prostitutes, and servants. In The Maids, Genet expresses these concepts primarily through the characters of the maids, who begin and end the play pretending to be mistress and servant.
Genet was bothered by the concept of suspension of disbelief upon which most plays and films rely. In his instructions for producing The Maids, Genet originally stated that he wanted men to play the roles. His intent, according to his greatest patron, Jean-Paul Sartre, was to show the artificiality of the play and the players. If a woman played the role of Claire, she would have to play only a maid and a maid playing her mistress; a man, however, would have to play not only the maid and the maid playing her mistress but also the woman, thus bringing one more level of artifice to the play.
The falseness of the play is...
(The entire section is 582 words.)