Maia Wojciechowska

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A Single Light

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In the following essay, Edward Fenton critiques Maia Wojciechowska's A Single Light as a compelling but flawed narrative, highlighting its exploration of love and human greed set against the backdrop of Spanish Andalucia, while noting that its didacticism and simplicity slightly undermine its ambitious themes.

Maia Wojciechowska is obviously on the side of the angels. Her new book [A Single Light] is a legend imbued with the desperation of the human need for love. Its vivid setting is the harsh, gnarled landscape of Spanish Andalucia. In it lies a poverty-ridden town named, symbolically, Almas—Spanish for "souls." Its heroine is a deaf-and-dumb girl, so unloved by her widower father that he has even neglected to name her. She is a creature of seraphic simplicity, unsentimentally portrayed….

It is after her "miracle," her discovery of [a lost statue of the infant Christ], that a middle-aged American art expert appears on the scene. A failure, as rejected and as thirsty for human love as the Andalusian deaf mute, his adult life has been a single-minded quest for this very statue—a missing work by a Renaissance sculptor.

As the villagers learn of their unsuspected treasure's value, the story turns into an ironic study of human greed. It concludes with a miracle of understanding and regeneration which some readers may find a little too pat.

Maia Wojciechowska's message of love and understanding is somewhat impaired by didacticism and over-simplification. And yet, although her new book is not entirely successful, it is a far better one than most, which are less ambitious and do succeed.

Edward Fenton, in his review of "A Single Light," in Book World—Chicago Tribune (© 1968 Postrib Corp.; reprinted by permission of Chicago Tribune and The Washington Post), May 5, 1968, p. 22.

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