Magic Realism is a literary movement associated with a style of writing or technique that incorporates magical or supernatural events into realistic narrative without questioning the improbability of these events. This fusion of fact and fantasy is meant to question the nature of reality as well as call attention to the act of creation. By making lived experience appear extraordinary, magical realist writers contribute to a re-envisioning of Latin-American culture as vibrant and complex. The movement originated in the fictional writing of Spanish American writers in the mid-twentieth century and is generally claimed to have begun in the 1940s with the publication of two important novels: Men of Maize by Guatemalan writer Miguel Angel Asturias and The Kingdom of This World by Cuban writer Alejo Carpentier. What is most striking about both of these novels is their ability to infuse their narratives with an atmosphere steeped in the indigenous folklore, cultural beliefs, geography, and history of a particular geographic and political landscape. However, at the same time that their settings are historically correct, the events that occur may appear improbable, even unimaginable. Characters change into animals, slaves are aided by the dead, time reverses and moves backward, while other events occur simultaneously. Thus, magic realist works present the reader with a perception of the world where nothing is taken for granted and where anything can happen.
The fantastical qualities of this style of writing were heavily influenced by the surrealist movement in Europe of the 1920s and literary avant-gardism as well as by the exotic natural surroundings, native and exiled cultures, and tumultuous political histories of Latin America. Although other Latin America writers such as Jorge Luis Borges, Carlos Fuentes, and Julio Cortazar used elements of magic and fantasy in their work, it was not until the publication of Gabriel García Márquez’s One Hundred Years of Solitude in English in 1970 that the movement became an international phenomenon. Subsequently, women writers like Isabel Allende from Chile and Laura Esquivel from Mexico have become part of this movement’s more recent developments, contributing a focus on women’s issues and perceptions of reality. Since its inception, Magic Realism has become a technique used widely in all parts of the world. Thus, writers such as Salman Rushdie, Toni Morrison, and Sherman Alexie have recently been added to the magic realist canon of writers because of their use of magical elements in real-life historical settings.
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