Madeleine de Scudéry Criticism
- Introduction
- Principal Works
-
Essays
- The World of Prose and Female Self-Inscription: Scudéry's Les Femmes illustres
- ‘L'art de detourner les choses’: Sociability as Euphoria in Madeleine de Scudéry's Conversations
- The Politics of Genre: Madeleine de Scudéry and the Rise of the French Novel
- Lucrèce, Junie, and Clélie: Burdens of Female Exemplarity
- Scudéry's Theatre of Disguise: The Orient in Ibrahim
- Sun, Veil and Maze: Mlle de Scudéry's Parthenie
- Desire and Writing in Scudéry's ‘Histoire de Sapho’
- Lovers, Salon, and State: La Carte de Tendre and the Mapping of Socio-Political Relations
- Literary and Political Collaboration: The Prefatory Letter of Madeleine de Scudéry's Artamène, ou le Grand Cyrus
- ‘As Becomes a Rational Woman to Speak’: Madeleine de Scudéry's Rhetoric of Conversation
- The Rape of Lucretia in Madeleine de Scudéry's Clélie
- Further Reading