M. Butterfly Criticism
- Introduction
- Principal Works
-
Essays
- David Henry Hwang's M. Butterfly and Philip Kan Gotanda's Yankee Dawg You Die: Repositioning Chinese American Marginality on the American Stage
- David Henry Hwang and the Revenge of Madame Butterfly
- Gender, Race, and the Colonial Body: Carson McCullers's Filipino Boy, and David Henry Hwang's Chinese Woman
- The Occidental Tourist: M. Butterfly and the Scandal of Transvestism
- Cultural/Sexual/Theatrical Ambivalence in M. Butterfly
- The Theatre of Punishment: David Henry Hwang's M. Butterfly and Michel Foucault's Discipline and Punish
- Engendering the Imperial Subject: The (De)Construction of (Western) Masculinity in David Henry Hwang's M. Butterfly and Graham Greene's The Quiet American
- M. Butterfly: Transvestism and Cultural Cross-Dressing in the Critique of Empire
- M. Butterfly and the Rhetoric of Antiessentialism: Minority Discourse in an International Frame
- Race and Fantasy in Modern America: Subjective Dissimulation/Racial Assimilation
- M. Butterfly by David Henry Hwang
- Projected Bodies in David Henry Hwang's M. Butterfly and Golden Gate
- Further Reading