M. Butterfly is based on the presumption that Westerners have falsely created and believe in the stereotype of the meek, submissive Oriental. How does western man’s blind acceptance of this stereotype make it possible for him to be duped by an Asian who plays up these stereotypes?
I. Thesis statement: The improbable scenario in M. Butterfly, where a man believes that his male lover is a woman, is only possible because the Western man believes stereotypes about the Oriental that are untrue.
II. The stereotype of the meek, submissive, loyal and true Asian woman are aptly represented in Puccini’s opera, Madame Butterfly.
A. Outline and define stereotypes of the Oriental women. Why do Western men find them attractive and alluring?
B. Cio-Cio-San, Butterfly, is meek and submissive. She is loyal to Pinkerton, a man unworthy of her love.
III. Gallimard is intrigued by the ideal version of love represented by the submissive and loyal Oriental woman in the Puccini opera. He falls for a “woman” who exhibits all these traits because they conform to his expectations.
A. Gallimard is not so much in love with a particular woman, rather he is in love with the ideal woman as represented in the Western stereotype of the Oriental woman.
B. Song is aware of this fallacy in Gallimard’s reasoning; Song exploits this weakness by exhibiting traits that reinforce the stereotype.
IV. Conclusion: If it had not been for the stereotype of the Oriental woman, Gallimard would not have believed his lover was a woman. Gallimard’s blind acceptance of a false stereotype leads him to overlook the completely obvious fact that his lover, Song, is a man.
The parallel structure that runs throughout the play, with constant references to Puccini’s opera, Madame...
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