The contributions of Lynn Riggs to American drama have often been overshadowed by his classification as a regional dramatist, akin to Susan Glaspell and Paul Green. However, Riggs's body of work is both diverse and profound, reflecting a rich tapestry of themes and styles. His plays delve into the complexities of ethnic identities, the assertion of women, and the deep currents of human desire, offering audiences a blend of naturalism and poetic expression.

Diverse Themes in Riggs's Plays

Riggs's work transcends simple regionalism by incorporating a variety of ethnic experiences. His plays feature Cherokee characters in "The Cherokee Night," depict Hispanic communities in "The Year of Pilar" and "A World Elsewhere," and explore the lives of farmers and ranchers in "Green Grow the Lilacs." Riggs's plays often focus on the struggles of women seeking autonomy and love, a theme that recurs in many of his works, from romantic comedies to somber tragedies. Within these narratives, Riggs examines the challenges faced by women as they strive for self-assertion in a world that often seeks to confine them to traditional roles.

Stylistic Distinctions

Lynn Riggs's plays are notable for their unique stylistic attributes, often blending elements of realism with poetic expression. The dream ballet in Rodgers and Hammerstein's adaptation of "Oklahoma!" is a reflection of the dream-like qualities already present in Riggs's original play "Green Grow the Lilacs." His use of authentic folk songs and a distinctive poetic diction extends the emotional and thematic reach of his plays beyond the confines of naturalism. Riggs is adept at creating heightened emotional states through melodramatic situations and language that reveal the unconscious drives of his characters, as seen in works like "The Cream in the Well" and "The Cherokee Night."

Strengths and Challenges

Riggs's plays are known for their evocative use of natural beauty and poetic imagery, which can transform settings into powerful symbols. This ability is evident in the stage directions for "Green Grow the Lilacs," where the beauty of the natural world is vividly captured in the lyrics of "Oklahoma!." Yet, Riggs faces challenges in character development and structural clarity. "The Cherokee Night" exemplifies how the focus on thematic illustration can sometimes overshadow character depth, while its non-linear structure may confuse audiences. Similarly, "The Cream in the Well" presents a compelling yet contrived melodrama centered on themes of incest, demonstrating Riggs's preoccupation with exploring complex and often taboo subjects, regardless of their commercial appeal.

Protagonists and Gender Dynamics

The protagonists in Riggs's plays are frequently women navigating the quest for love and autonomy. These characters challenge traditional gender roles, seeking independence from male-dominated dynamics. Riggs's plays often conclude happily when characters find common ground in their values, whether adhering to traditional roles or embracing newer ideals of gender equality. Conversely, conflicts with external pressures or internal unrest typically lead to tragic endings. Riggs's work reflects an understanding of the inexorable forces driving social change and the human effort to adapt to these transformations.

Psychoanalytic Influences

Lynn Riggs's interest in the psychological underpinnings of his characters finds resonance with Freudian theories. In correspondence with W. David Sievers for "Freud on Broadway," Riggs acknowledged his plays' alignment with psychoanalytic exploration. His characters are often driven by libidinal impulses, which are portrayed with empathy, even when they challenge societal norms. For instance, Gail Atwood in "Dark Encounter" and Kay in "Russet Mantle " engage in relationships that defy conventional morality, yet Riggs presents them as sympathetic...