CRITICISM

Bruton, Kevin J. “Symbolic Reference and Internal Rhythm: Luis Cernuda's Debt to Hölderlin.” Revue de Littérature Comparée 58, no. 1 (January-March 1984): 37-49.

Compares Hölderlin's poetic style and aesthetic approach to Cernuda's writing.

———. “The Cemetery Poems of Luis Cernuda.” Annals of Contemporary Spanish Literature 13, no. 3 (1988): 189-208.

Analyzes Cernuda's choice of place in four cemetery poems.

Fajardo, Salvador J. “Ekphrasis and Ideology in Cernuda's ‘Ninfa y pastor por Ticiano.’” Annals of Contemporary Spanish Literature 22, no. 1 (1997): 29-52.

Considers the ideological implications of desire in “Ninfa y pastor por Ticiano.”

Kirkup, James. “Translating Penna and Cernuda: Working Papers.” In Translating Poetry: The Double Labyrinth, edited by Daniel Weissbort, pp. 83-94. London: Macmillan, 1989.

Presents a translation of “Adonde fueron despenadas.”

Morris, C. B. “Luis Cernuda and Federico García Lorca.” In This Loving Darkness: The Cinema and Spanish Writers 1920-1936, pp. 112-21. Oxford: Oxford University Press, 1980.

Demonstrates cinematic aspects of Cernuda's poetry.

Additional coverage of Cernuda's life and career is contained in the following sources published by Thomson Gale: Contemporary Authors, Vol. 131; Contemporary Literary Criticism, Vol. 54; Dictionary of Literary Biography, Vol. 134; DISCovering Authors Modules: Poets; Encyclopedia of World Literature in the 20th Century, Ed. 3; Gay & Lesbian Literature, Ed. 1; Hispanic Writers, Ed. 1; Literature Resource Center; and Reference Guide to World Literature, Eds. 2, 3.