[The Milky Way is a] parable of Christianity, but it is free of Christ parallels (Nazarin), of sterile and protracted allegory (The Exterminating Angel), of shallow Evil-as-travail-toward-Good (El). The structure of this new film is taut and well-modeled, the interplay between idea and image is delightful, the whole work is funny and bitter and peculiarly devout from beginning to end. (p. 231)
The film is as well made as Buñuel's pictures have often—not always—been. Occasionally he still lets people walk out of shots, leaving us to stare for a second at empty places where the action was; and occasionally there is a meaning-less emphasis (like a close shot of...
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