Buñuel is obsessed by the cruelty, ignorance and superstition which prevail among men. He realizes that there is no hope for man anywhere on this earth unless a clean slate be made of it. He appears on the scene at the moment when civilization is at its nadir….
They have called Buñuel everything—traitor, anarchist, pervert, defamer, iconoclast. But lunatic they dare not call him. True, it is lunacy he portrays in his film, but it is not of his making. This stinking chaos which for a brief hour or so is amalgamated under his magic wand, this is the lunacy of man's achievements after ten thousand years of civilization. (p. 55)
Perhaps it is the baroque element in human life, or rather in the life of civilized man, which gives to Buñuel's works the aspect of cruelty and sadism. Isolated cruelty and sadism, for it is the great virtue of Buñuel that he refuses to be enmeshed in the glittering web of logic and idealism which seeks to mask from us the real nature of man…. There is no straddling the issue. Either you are crazy, like the rest of civilized humanity, or you are sane and healthy like Buñuel. And if you are sane and healthy you are an anarchist and you throw bombs. (pp. 57-8)
"L'Age d'Or" is the only film I know of which reveals the possibilities of the cinema! It makes its appeal neither to the intellect nor to the heart; it strikes at the solar plexus. It is like kicking a mad dog in the guts. And though it was a valiant kick in the guts and well aimed it was not enough. (p. 59)...
(The entire section is 643 words.)