(Drama for Students)

Gender Roles and Sexual Behavior
Throughout Love for Love, Congreve plays with the limited roles assigned to the genders in upper-class society. Men can be cuckolds, cruel masters, rakes, or provincials, while women can be scheming meddlers, whores, or (rarely) good wives. The crucial characteristic for women is how permissive they are in terms of bestowing their sexual favors; men, however, are judged less by their sexual behavior and more by their ‘‘mastery’’ of the world: their children, finances, servants, and love affairs.

For the contemporary reader approaching Restoration drama for the first time, what is most striking is the ‘‘double standard’’ applied to sexual behavior. Men were encouraged to seduce virgins or other men’s wives, while women who were too promiscuous sexually were considered disreputable. Valentine, for instance, is visited by the nurse of one of his illegitimate children and curses the mother for not killing the child and sparing him the expense of supporting it; Tattle and Scandal both boast of their success with women. The women of the play, however, know to keep their experiences quiet. Ironically, in the comedies of this period, women’s promiscuity is less serious and damaging than it would be in later decades. After the two decades of strict Puritan rule (which strictly enforced conservative sexual behavior), the Restoration witnessed a return to relaxed attitudes about sexual behavior. The underlying joke of most comedy in this period is that men may not be having sex but are always talking about it, while women do the exact opposite.

Dissembling / Role Playing
The Puritans, who took over England in the 1640s, sought to establish God’s rule on earth. Part of the Puritan ethic was a deep mistrust of costumes, disguises, and appearances; for this and other reasons, the theatres were all closed during Puritan rule. But the Puritans were also deeply suspicious of the intrigues, game playing, and stratagems that dominated court and upper-class life in the monarchical system. They wished things to be open to their scrutiny.

The Restoration of 1660 changed all of this. Attempting to make up for twenty years of lost fun and intrigue, courtiers immediately reestablished the complicated and sophisticated society they had enjoyed before. Playwrights, in turn, depicted their intrigues with irony and hyperbole. In Love for Love, only the provincial characters of Miss...

(The entire section is 1014 words.)