Ralph and Simon both embody goodness in different ways. Simon is a Christ-like figure, showing selflessness by caring for the littluns and trying to reassure others, like Ralph, about their rescue. His kindness is evident in his efforts to feed and comfort others. Ralph, a natural leader, is concerned with group welfare and maintaining order. However, he feels guilt for Simon's death, revealing his moral conscience. Despite this, Ralph strives to uphold civilization's values against savagery.

In "Lord of the Flies," Ralph, Jack, Piggy, and Simon are round characters, showing complex personalities and development. Samneric, Roger, Maurice, and the littluns are flat characters, remaining one-dimensional throughout the story. The novel's allegorical nature blurs these distinctions, as characters like Piggy, Roger, and Simon represent abstract qualities like reason, sadism, and spirituality, respectively.

In "Lord of the Flies," Jack is driven by a desire for power and the thrill of hunting, becoming increasingly savage. Roger is motivated by sadism, taking pleasure in causing pain and chaos. Ralph seeks to maintain order and civilization, although he occasionally succumbs to savagery. Piggy, representing intellect and rationality, strives to uphold societal norms and is deeply concerned about losing his glasses, symbolizing insight. He ultimately becomes a victim of the group's descent into chaos.

Ralph and Piggy differ in their charisma, athleticism, wisdom, character transformation, and insight into group behavior.

Ralph becomes closer to Piggy after Jack takes over the tribe, leaving Ralph with Piggy as an ally. This change is marked by Ralph confiding in Piggy about his fears and leadership challenges, which he had not done before. Their relationship evolves from one of mistreatment to mutual respect and understanding, as they become outsiders targeted by Jack's group. Ralph acknowledges Piggy's importance and seeks his advice, fostering a stronger bond between them.

Initially in "Lord of the Flies", Ralph finds Piggy annoying and often ridicules him. However, as the story progresses, Ralph begins to appreciate Piggy's intelligence and ideas. He starts to rely on Piggy for support and direction, especially against Jack's growing savagery. By the end, Piggy becomes one of Ralph's only supporters and a trusted friend. Piggy's death deeply impacts Ralph, marking a significant change in their relationship from indifference to mutual respect and friendship.

In Lord of the Flies, multiple characters display conformity, but Ralph and Jack are prominent examples. Ralph conforms to principles of civilized behavior, advocating for rules and order. In contrast, Jack conforms to a might-makes-right mentality, using intimidation. Quotes demonstrating Ralph's adherence to rules include his insistence on dressing properly, while Jack's conformity is shown through his violent actions, like plunging his knife into a tree trunk.

In Lord of the Flies, Ralph represents the archetypal hero, embodying civilization and leadership, mourning the loss of innocence. Jack is the villain, symbolizing savagery and the breakdown of order. Simon serves as the oracle, wise yet misunderstood, foreseeing the group's descent into chaos. Piggy acts as the guide, providing intelligence and insight, though often undervalued, ultimately falling victim to the group's violence. Each character embodies a timeless archetype in literature.

Ralph and Piggy are the first characters introduced. Ralph is described as a "fair" and athletic boy, resembling a young boxer, with a mild demeanor. He quickly becomes the leader. Piggy is short, overweight, has asthma, and is often mocked, highlighting his vulnerability. Despite this, Piggy is intelligent and thoughtful, recognizing the conch's potential to summon the others. Ralph initially mocks Piggy but eventually befriends him, using the conch to gather the boys.

In Lord of the Flies, the choir is initially depicted as a disciplined group under Jack's leadership, dressed in identical uniforms. They symbolize order and civilization but gradually transform into savage hunters, illustrating the descent into barbarism as societal structures break down on the island.

In Lord of the Flies, Ralph and Piggy's friendship evolves from initial indifference to a deep reliance. Initially, Ralph finds Piggy annoying, but Piggy's intelligence proves valuable. As Ralph becomes leader, he increasingly depends on Piggy's insights to stand against Jack's savagery. Despite Ralph's initial dismissiveness, they grow close, culminating in Ralph mourning Piggy as a "true, wise friend" after Piggy's tragic death. Their friendship underscores themes of innocence and human darkness.

In Lord of the Flies, Roger and Simon exhibit contrasting trajectories with minimal change. Roger starts as sadistic and becomes more so, culminating in Piggy's murder. His cruelty escalates from minor acts, like destroying sandcastles, to lethal violence. Simon remains the moral compass, consistently understanding the innate evil within the boys. Unlike the others, he recognizes the "beast" as internal, not external, but is tragically killed before sharing this insight.

Simon, Piggy, and the boy with the birthmark in Lord of the Flies share the commonality of death, highlighting the novel's "loss of innocence" theme. Each represents a different aspect of innocence lost: the boy with the birthmark introduces the fear of the Beast, Simon's prophetic insights are tragically misunderstood, and Piggy's death signifies the end of rationality and order. Their deaths underscore the disintegration of civility among the boys.

In Lord of the Flies, the boys face danger when they accidentally set the trees on fire, prompting Ralph to make rules about fire safety. Henry experiences danger when Roger throws stones at him, testing societal boundaries. As order collapses, Jack and his hunters pose a threat to Ralph's authority, suggesting a descent into savagery. This breakdown of order endangers all the boys, as they risk becoming like "animals."

The younger boys in Lord of the Flies primarily suffer from fear and nightmares, which contribute to their overall sense of insecurity and vulnerability on the island. These psychological ailments are exacerbated by their isolation and the increasingly chaotic environment, leading to a decline in their mental and physical well-being.

In terms of a physical description, Roger has black hair and a gloomy face, which make him look rather unapproachable. His personality is dark and sadistic, which is revealed when he kicks over the littluns' castles, throws stones near Henry, and later rolls the boulder that kills Piggy.

Roger's character in Lord of the Flies evolves from a slightly malicious boy to a brutal savage. Initially, he hesitates due to the remnants of societal norms, like when he throws stones near Henry but deliberately misses. However, by the end, Roger becomes more cruel and dangerous than Jack, embodying the novel's theme of the inherent savagery within humans. His actions highlight the complete breakdown of civilization on the island.

Roger shoves past Jack to assert his own "nameless authority" and demonstrate his sadistic nature, which has grown beyond Jack's control. This act symbolizes Roger's complete rejection of human morals and desire to embrace brutality. Although Jack is the tribe's official leader, Roger's willingness to inflict pain on others without restraint suggests a potential threat to Jack's authority, highlighting Roger's transformation into a figure of pure, uncontained violence.

In Lord of the Flies, Roger assists in killing the sow by stabbing his spear into her anus and leaning his weight on it while Jack slits her throat. This act of brutality demonstrates Roger's cruelty and the boys' descent into savagery, foreshadowing later violent events.

Society shapes Roger's behavior by instilling fear of punishment from parents, school, and law, which initially restrains his violent impulses. The phrase "a civilization that knew nothing of him" suggests Roger harbors hidden sociopathic tendencies. When society's constraints collapse, his innate cruelty emerges, culminating in his murder of Piggy and his wielding of "a nameless authority." Freed from societal norms, Roger becomes the most malevolent figure on the island, acting without conscience.

Roger's motivations for killing Piggy stem from his descent into savagery and the loss of societal constraints. Without the rules and consequences of civilization, Roger's inherent cruelty and desire for power are unleashed, leading him to commit murder without remorse.

In Lord of the Flies, Roger's intentions when throwing stones near Henry reflect his inner conflict and the remnants of societal rules. He aims to exert power and instill fear, but he still feels constrained by the ingrained moral codes of civilization, preventing him from directly hitting Henry.

In Lord of the Flies, Roger throws stones at Henry without hitting him due to his societal conditioning. Despite his sadistic nature, Roger is initially restrained by the ingrained rules of civilization, which prevent him from directly harming Henry. This behavior reflects the lingering influence of societal norms and the "taboo of the old life," which Roger gradually begins to disregard as he descends into savagery. His actions illustrate the conflict between innate aggression and learned behavior.

The "nameless authority" Roger wields towards Samneric in Lord of the Flies represents the power and control he derives from the group's descent into savagery. It underscores the loss of societal norms and the emergence of primal instincts, allowing Roger to exert dominance without the constraints of civilized behavior.

Roger's plan for Ralph in Lord of the Flies is to hunt him down and kill him. Roger sharpens a stick in preparation, indicating his intention to mount Ralph's head as a trophy, similar to what was done with the Lord of the Flies.

In Lord of the Flies, Roger throws stones at Henry to demonstrate his emerging cruelty and the breakdown of societal rules. Though he aims to miss, the act signifies his growing inclination towards violence and foreshadows his later brutal actions, illustrating the theme of inherent human savagery.

Samneric do not admit their involvement in Simon's death. Instead, they take their cues from Piggy, who wants to deny that any of them were involved. The twins, now ashamed of what they participated in, say they left Jack's dance early because they were tired.

When Ralph arrives at Castle Rock, SamnEric treat him with nervousness and shame due to their painted faces and allegiance to Jack's tribe. They express that joining was forced, hinting at Roger's intimidation. Despite their fear, especially of Roger, they still care for Ralph, urging him to leave and providing him with meat. They warn Ralph about Jack's plan to hunt him, hoping he can escape capture.

Sam and Eric's "sighting" of the beast is pivotal as it shifts the power dynamics on the island. Ralph's authority is undermined when Jack capitalizes on the fear of the beast to position himself as a more fearless leader. The sighting leads to Jack's eventual rebellion and the formation of his own tribe. Additionally, this event indirectly leads to Simon's tragic death as he discovers the true nature of the "beast" and is killed during a frenzied dance.

Samneric's fears arise after mistaking a dead paratrooper for the beast while maintaining the signal fire at night. Terrified, they flee down the mountain and report to the other boys that the beast chased them. Initially, they rely on Ralph for protection, avoiding joining Jack's group. However, their fear of the beast and Jack's threats eventually lead them to reluctantly join his tribe, showing their inability to rationally cope with their terror.

In Lord of the Flies, the twins, Sam and Eric, are introduced as inseparable and often referred to collectively as "Samneric." Their close bond symbolizes unity and cooperation, but as the story progresses, their individuality diminishes under the pressure of the group's descent into savagery, highlighting the loss of personal identity in the face of societal collapse.

In Lord of the Flies, Samneric, the twin characters Sam and Eric, symbolize the unthinking herd mentality and the struggle between civilization and savagery. Initially loyal to Ralph, they represent the obedient followers in society, often acting as one entity. Their actions, such as reporting the "beast" and later joining Jack's tribe under duress, highlight themes of authority, fear, and the loss of individuality. Their eventual betrayal of Ralph underscores the novel's exploration of human nature's darker instincts.

Maurice is one of the older boys in Jack's tribe in "Lord of the Flies." Initially, he is affable and feels guilt for his actions, such as when he kicks over sandcastles. However, as the novel progresses, Maurice becomes more savage, participating in raids and fully embracing Jack's violent leadership, ultimately showing no desire for rescue.

Maurice is described as the second biggest choir boy after Jack, broad and often grinning, making him one of the "biguns." His size and strength make him suitable for physically demanding tasks. Maurice has a history of bullying, but he feels guilt for wrongdoing despite the absence of authority figures. Eventually, he becomes a core member of Jack's hunters, succumbing to the group's savagery and participating in violent acts.

The littluns spend their days eating fruit, playing aimlessly on the beach, and swimming. They are largely ignored by the older boys, who see them as having little value in performing tasks. While they obey the conch when blown, they lack structure and care, often crying for their mothers and eating indiscriminately. This reflects the social hierarchy developing on the island, with the older boys taking on more significant roles like maintaining the signal fire and hunting.

The littlun with the mulberry-colored birthmark likely died in the fire that the older boys accidentally let get out of control. After the fire, he is never seen again, and although the older boys assume he perished, no one seems to care much. His death, while accidental, foreshadows the group's descent into savagery and their increasing disregard for life.

In William Golding's Lord of the Flies, the littluns, or younger boys aged six to eight, symbolize the vulnerable and helpless members of society. Initially carefree on the island, they become fearful after a fire and the disappearance of one of their own, reflecting the loss of innocence. They are manipulated by older boys like Ralph and Jack, representing the power dynamics and moral decline. Their presence highlights the societal breakdown and the inherent wickedness in humanity.