Themes
European vs. African Traditions
As critic John Champagne has pointed out, So Long a Letter is filled
with descriptions of the culture clash apparent in 1970s Senegal. Besides the
"hybridity" of the novel's form and content, Champagne argues that the novel
"combines a European genre—the epistolary novel—with indigenous oral gestures''
and "presents us with a culture irrevocably altered by the colonial presence.’’
Thus, Champagne notes how "one might find in proximity both cowries and Fiats,
boubous and night clubs, safara (as the glossary explains, 'liquid with
supernatural powers') and electroshock therapy.'' While at times it seems as
though Bâ favors Western ways over African traditions, Bâ mainly shows how both
exist side by side. Ramatoulaye is distressed that her daughters have begun to
smoke and to dress like Western women. She hopes that a Western type of
feminism will not lead to moral dissolution: ‘‘A profligate life for a woman is
incompatible with morality. What does one gain from pleasures? Early aging,
debasement.’’ However, Ramatoulaye is also grateful to the white teacher who
expanded her narrow horizons. Ramatoulaye rails against the injustice of
polygamy, and seems to condemn Islam for allowing it. At the same time, she
takes comfort in the rituals of Islam. Rather than seeing the enforced mourning
time for widows as an inconvenience, she appreciates having time to reflect on
her life. The novel does show how the position of women varies under a Western
or a traditional Senegalese system of values. Traditionally, women gained power
through family connections. Ramatoulaye and Aissatou, on the other hand, have
gained power through education and careers. Reconciling their roles as career
women and as members of extended families causes each woman difficulties.
Relationships among Women
Related to the theme of African traditions versus European values is another
important theme: the relationships of women to each other. Ramatoulaye
describes in detail the ways in which female family members relate under
time-honored traditions. The daughter-in-law must open her home to her
husband's family. The family-in-law will take care of her in her widowhood
based on her behavior during marriage. Ramatoulaye describes how her
mother-in-law ‘‘would stop by again and again on her outings, always flanked by
different friends...so that they might see...her supremacy in this beautiful
house in which she did not live. I would receive her with all the respect due
to a queen, and she would leave satisfied, especially if her hand closed over
the banknote I had carefully placed there.’’ Despite her success as a teacher,
Ramatoulaye must be completely submissive to her husband's mother. Aissatou,
however, cannot please her mother-in-law. Aunty Nabou refuses to accept
Aissatou, the daughter of a goldsmith, as a suitable wife for her son. It is in
Aunty Nabou's power, then, to destroy her daughter-in-law's happiness. She
insists that her son take a second, more socially acceptable, wife. Women do
not always look out for the best interests of other women. Binetou's mother
forces Binetou to marry a man she does not love or esteem. Binetou, once
married to Moudou, insists that he stop communicating with Ramatoulaye and
their many children. But, So Long a Letter also celebrates the alliances
women can make. Ramatoulaye and Aissatou draw emotional and material comfort
from their long friendship. Aissatou provides the abandoned Ramatoulaye with a
much-needed car. Ramatoulaye recalls with pride the lasting friendships she
made at school with African women from many countries. Young Nabou works hard
as a midwife to improve women's lives. Ramatoulaye decides, after Moudou's
death, that she would never agree to become a man's second wife because she
would not wish to inflict harm on the first wife. As the novel ends,
Ramatoulaye says that her ‘‘heart rejoices each time a woman emerges from the
shadows.’’ In other words, she rejoices when any woman can overcome the
obstacles placed in her path. Ramatoulaye seeks not only her own happiness, but
happiness for all women.
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