abstract illustration of several people and items: a woman wading through a river, a Native American man in traditional headdress, bottles of alcohol, a sedan, a basketball, and a pair of eyes

The Lone Ranger and Tonto Fistfight in Heaven

by Sherman Alexie

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What two things collide to cause the storm in "Every Little Hurricane" from Sherman Alexie's The Lone Ranger and Tonto Fistfight In Heaven?

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In "Every Little Hurricane," a metaphorical storm arises from a fight between Victor's uncles, Adolph and Arnold, representing "high-pressure and low-pressure fronts." This conflict symbolizes the broader struggles of Native Americans on reservations, likened to a hurricane's devastation. Despite its seemingly trivial nature, it evokes painful memories and generational trauma among those present, illustrating how such "storms" affect the community deeply, perpetuating cycles of pain and survival.

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"Every Little Hurricane" chronicles a fight between Victor's two uncles and the fight's impact on Victor. A hurricane is how Victor imagines the argument. He sees his uncles as a "cold front" and a "warm front." Their fight is huge and explosive, but ends amicably. The big issue is the damage that occurs after the fight, just like the wreckage after a hurricane is nearly as dangerous as the storm itself. Victor likens himself to the people who crazily tie themselves to trees outside of their houses to experience the storm. Those people ended up broken which is how Victor feels after the storm of his uncles' fight. Victor also muses about how the fight would not have much impact outside of that group of people.

"This little kind of hurricane was generic. It didn’t even deserve a name."

Despite its small scale though, the hurricane spreads through each of...

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the people who witnessed the fight, bringing up memories of past storms.

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In the story "Every Little Hurricane" from Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven, brothers Adolph and Arnold ("High-pressure and low-pressure fronts") fight in Victor's front yard creating a metaphorical hurricane. This story is told from a third-person limited point-of-view following the thoughts of Victor, who is a boy in this story (he's older in other stories in this collection).

The entire story is an extended metaphor comparing the plight of the modern Native American living on a reservation to the damage that can be created by a hurricane. This fight between brothers, although it causes major damage, is nothing large on an Indian reservation. According to the narrator, "One Indian killing another did not create a special kind of storm. This little kind of hurricane was generic. It didn’t even deserve a name."

Although this storm started with the brothers fighting, it was transferred from Indian to Indian at this party. The narrator discusses several of the terrible memories the party's guests have primarily because they are Indian. Victor's father remembers being spit on while he waited for a bus; Victor's mother remembers the Indian Health Services doctors sterilizing her without permission after she gave birth to Victor; the brothers remember their other battles during childhood because "[w]hen children grow up together in poverty, a bond is formed that is stronger than most anything. It’s this same bond that causes so much pain." 

Victor sees all these things happening—the negative feelings, the feelings of resentment—and continues to compare them to a hurricane:

"The forecast was not good. Indians continued to drink, harder and harder, as if anticipating. There’s a fifty percent chance of torrential rain, blizzardlike conditions, seismic activity. Then there’s a sixty percent chance, then seventy, eighty."

In the morning, all was good, but the Indians, "the eternal survivors, gathered to count their losses."

This extended metaphor suggests that what happens on an Indian reservation—alcoholism, violence—isn't caused by men, but, like a hurricane, is an outside force that is beyond the control of the people, but leaves tremendous damage in its wake.

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