Victor is either the narrator or the main character of most of the stories in the book. He becomes the reader’s eyes and ears in the world of the Spokane Reservation, from the first glimpse of the disturbing New Year’s party when Victor is nine, to the quiet summing up of the themes of the book in the final story. He is perhaps the “typical” Native American youth, recounting his view of his society and his struggles with identity, alcohol, and family relationships. Thomas Builds-the-Fire is a near mythical character, a storyteller and thus a symbolic link to the past. The stories he tells are usually historical, casting one of his present-day friends into a historical situation—as in “A Drug Called Tradition,” in which he starts a round of storytelling by imagining his friend Victor raiding the camp of a rival tribe to steal a horse named Flight. In other stories, Thomas is ridiculed for telling too many stories, stories that the others do not want to hear anymore. Thomas’s strongest appearance is in the surrealistic piece “The Trial of Thomas Builds-the-Fire.” In it, he “testifies” by telling stories, casting himself first as a horse among a herd captured by the cavalry in 1858, then as a warrior in a similar battle. Though he is originally charged with “telling the truth,” by the end of the trial, his crime is the murder of two soldiers in the story he told of events of a century before. Thomas represents the pull of tradition among Native American people. He becomes the scapegoat for the “crimes” of the past and is the nagging conscience of modern Native Americans, reminding them of the past and the traditions that they often do not want to remember.
James Many Horses is the mystic of the stories, the fountain of wisdom and guidance. His near divinity is revealed in the title of his first story: “Jesus Christ’s Half-Brother Is Alive and Living on the Spokane Indian Reservation.” He was born near Christmas, and his mother claimed to be a virgin, “even though Frank Many Horses said it was his.” The infant James survives a fire that kills his parents and is adopted by the anonymous narrator of the story. James fails to develop normally and cannot walk, talk, or even crawl, but he is a supportive companion to the narrator through years of physical trials and alcoholism. James finally begins speaking at age eight, but his comments could possibly be only in the imagination of the narrator. The boy is wise and prophetic; his visions and counsel support the narrator for much of his life. In a poetic, visionary story, “Imagining the Reservation,” an “Indian child,” apparently James, figures strongly, counseling the anonymous narrator to “break every mirror in my house and tape the pieces to my body,” a marvelous metaphor for the act of becoming a writer who reflects his environment. In “The Approximate Shape of My Favorite Tumor,” an adult James Many Horses faces death from cancer with humor and love. James indeed becomes a Christ figure in life and death.