In the realm of young adult biography, there is a prevalent tendency to spotlight individuals who have triumphed over significant adversity, often with the aim of imparting lessons on frugality or prudence. These narratives typically feature autobiographies deemed appropriate for younger audiences, focusing on temperance and restraint. However, Gary Soto's approach diverges sharply from this norm. He emerges as an unconventional figure, candidly admitting to being a brawler and a liar, even as he navigates life on social security at the age of twenty-three. Yet, in a moment of introspection, Soto acknowledges feelings of remorse and guilt after stealing from his friend’s sister.

Soto’s autobiographical sketches, despite their raw honesty, serve a moral purpose by laying bare his past transgressions without hesitation. His unabashed confession of asocial behavior is accompanied by a profound empathy for those less fortunate, shielding him from being perceived as indifferent. The essays, while unflinchingly frank about unpleasant realities, gain their appeal precisely through such authenticity. Living up the Street, with all its imperfections, revitalizes the traditional autobiography genre. Soto’s life stories offer young readers an intimate glimpse into lived experiences, prioritizing genuine connection over moral instruction, allowing them to explore the diverse ways in which others navigate their paths."