Criticism: Paradise Now
SOURCE: Harley, James. “The Art of Political Engagement: Governmental Responses to Paradise Now in Europe and America.” Theatre Studies 43 (1998): 38–50.
[In the following essay, Harley compares the tactics used in France and in the United States to “limit the political outreach” of The Living Theatre's production of Paradise Now.]
The summer of 1968 found the Living Theatre in Avignon, France, nearing the end of a four year self-imposed exile from America during which the company had developed a small repertoire of alternative dramatic pieces and a reputation for challenging the status quo. Since the company's 1959 production of Jack Gelber's The...
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