What is the difference between British and American Romanticism?

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The difference between British and American Romanticism stems from the distinct histories and cultural contexts of the two nations. British Romanticists, such as Blake and Wordsworth, sought a fresh perspective on an old culture, emphasizing imagination, natural beauty, and classical wisdom. They leaned towards subjectivism and older aesthetics. Conversely, American Romanticists like Emerson and Dickinson, in a young nation brimming with potential, aimed to forge a unique American identity. Focusing on the vast, untamed landscape, they endeavored to create their own lore and myths.

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Romanticism in Great Britain and America developed different characteristics largely due to the very different histories of the respective nations at the time. The British romanticists were looking for a new way to view a very old culture. They wanted to move away from the highly rational and academic thinkers of the Enlightenment and offer a countervailing view of the world. Writers like Blake, Wordsworth, Shelley, and Byron wanted to emphasize the power of the imagination, the beauty and sublimity of the natural world, and the wisdom of classical cultures. English Romanticism marked a turn towards subjectivism, as well as a return to older aesthetics, both medieval and classical.

The United States, on the other hand, was young and without much history on which to draw. The country was experiencing a period of unbridled growth, and new possibilities abounded. American writers were searching for a uniquely American voice, and the Romantic movement allowed for such a development. Unlike the British who were questioning the prior intellectual generation while still paying tribute to their cultural heritage, American Romantic writers had no old ways or heritage to question and honor. Writers like Emerson, Irving, Dickinson, Longfellow, and Melville set out to create a new national identity. They highlighted a vast and magnificent landscape ready to be tamed. They saw the great potential of a mighty nation and people just beginning to establish themselves. With no ancient lore, legends, and myth to build upon on, they sought to create their own.

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The major difference that presented itself between American and British Romantic works was their treatment of the nation and its history. The development and self-perception of each nation had a major impact on what aspects would be romanticized. In England, the country was already heavily populated, and the nation was considered old—explored, developed, and historic. In order to employ Romanticism, writers focused on the whimsical and Romantic aspects of historical locations, like castles and the moors, while also showing high preference for the military, praising it for being an ancient and noble profession, as opposed to the industrialized professions in city life.

In the Americas, colonizers considered the land largely unexplored and unpopulated (never mind the fact that civilizations had been living there for centuries). While they didn't have as much white history upon which to draw, American Romantic writers wrote fantastical works about exploration and the Romanticism inherent in farm life and outdoor adventures. The differences in the development of these two nations and their relative ages gave rise to their differences in writing style and thematic elements.

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The differences between English Romanticism and American Romanticism are largely due to the national context in which these works were written. England had been a country for over a thousand years by the time its Romantic movement started in the late 18th century. The English people had a long national history and had been a powerful force militarily and culturally for several hundred years. This history, along with the often negative social effects of the scientific and industrial revolutions, sparked a change in their artistic focus. Poets like William Blake, William Wordsworth, and Samuel Coleridge had tired of the rationalistic, scientifically motivated writing of the Enlightenment, and wanted to probe the emotional lives of common people, as well as marvel at the mysteries of nature in terms of its beauty, rather than its physical laws. Poems like Blake's “Chimney Sweeper” and Wordsworth's “She Dwelt Among the Untrodden Ways” looked at how life treated ordinary people, and sometimes it was not a happy thing to see. Shelley's “Ozymandias” questioned England's imperialistic, empire building foreign policy. Coleridge's poetry, particularly Rime of the Ancient Mariner, presented a supernatural vision.

In America, things were different. The country was young, having been colonized and settled less than two centuries before Europe's Romantic Era began. Unlike England, America had no long, well-established cultural history to shape its literature—so America tended to follow what it read from Europe. So why did its Romantic period evolve differently? If America didn't have a lot of history, what did it have a lot of? In 1800 America still had only 16 states and less than six million people (almost a million of which were slaves)--so most of America was undeveloped and unsettled. What America had in abundance was territory, an almost mythological frontier that seemed to stretch out infinitely. America also had more of something than almost any other country in the history of civilization—freedom (although obviously not for those million slaves—theirs would come as the Romantic Era was giving way to the next movement, Realism).

So, as a result of this frontier and freedom, American Romanticism went down a somewhat different literary path. Writers like James Fenimore Cooper wrote about exploration and the beauty of the continent. Ralph Waldo Emerson and Henry David Thoreau helped begin an intellectual movement called Transcendentalism, that espoused the idea that every man was imprinted with the keys to the universe in his own being—you didn't need a scientist to explain life to you, it was there already, provided by your maker, in your own soul. This idea reflected the freedom Americans felt to be their own people.

Of course, Americans also enjoyed the titillating thrill of a good romantic horror story, and Edgar Allan Poe's work echoed Mary Shelley's Frankenstein, but with an important difference. Shelley's Victor Frankenstein had good intentions as he created his disaster—but Poe's characters, perhaps reflecting the darker side of personal freedom, got themselves into trouble in other, less altruistic ways.

That's a lot, isn't it? Break it down to this: Romanticism's development in England was largely influenced by its national history and industrial/cultural/military might. In America, Romanticism was shaped by the frontier and personal freedom.

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