Student Question

What is the summary and significance of the title of Maya Angelou's poem "The Lie"?

Quick answer:

Maya Angelou's poem "The Lie" explores themes of betrayal and emotional conflict. The narrator, facing her lover's departure, initially expresses intense yet restrained anger through vivid metaphors. However, in a humorous twist, she feigns indifference, even claiming to have a new date. The title "The Lie" underscores the contrast between her true emotions and her outward facade, highlighting the tension between vulnerability and self-preservation.

Expert Answers

An illustration of the letter 'A' in a speech bubbles

Maya Angelou's poem "The Lie" is told in the perspective of the poet, or a fictional woman, who is told by her lover that he is going to leave her. The majority of the short poem is Angelou, or the fictional narrator, calling the lover's bluff. She uses poetic language—metaphors and symbolism—to express her anger that is intense yet restrained. She vividly and violently eviscerates her lover, depicting her barely-contained volatile thoughts and emotions as physical weapons that would tear him apart.

The second part of the poem is a single lyric stanza that humorously shows the narrator unfazed by her lover's threats of leaving. She even tells him that she has a date with a new man and that she would help her soon-to-be ex-lover pack up his things.

The title is significant because the first half of the poem contradicts the second half. In the latter, she pretends to not care about her boyfriend's departure, but in the first half of the poem, it is blatant that her emotions about the situation are intense. Therefore, Angelou herself admits in the title that what was articulated in the poem was a lie in order to preserve her ego.

Get Ahead with eNotes

Start your 48-hour free trial to access everything you need to rise to the top of the class. Enjoy expert answers and study guides ad-free and take your learning to the next level.

Get 48 Hours Free Access

References

Approved by eNotes Editorial