Lillian Hellman Criticism
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Hellman, Lillian (Vol. 18)
- Introduction
- American Playwrights, Old and New: Lillian Hellman
- Richard Moody
- Lillian Hellman's Continuing Moral Battle
- Theatre: 'Days to Come'
- The Teller as the Tale
- From Ghostly
- Popular Theatre: 'Watch on the Rhine'
- 'Maybe'
- Rhetoric of Things Past
- A Foray into the Self
- Books and the Arts: 'Maybe: A Story'
- Lillian Hellman's Uncertainties
- Hellman, Lillian (Vol. 2)
- Hellman, Lillian (Vol. 4)
- Hellman, Lillian (Vol. 8)
- Hellman, Lillian (Vol. 14)
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Hellman, Lillian (Twentieth-Century Literary Criticism)
- Introduction
- Principal Works
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Criticism
- Lillian Hellman and the McCarthy Years
- The Scoundrel in the Looking Glass
- Autobiography and Memory: The Case of Lillian Hellman
- Art versus Truth in Autobiography: The Case of Lillian Hellman
- Another Part of the Country: Lillian Hellman as Southern Playwright
- Lillian Hellman: Standing in the Minefields
- Lillian Hellman's Watch on the Rhine: Realism, Gender, and Historical Crisis
- Lillian Hellman's American Political Theater: The Thirties and Beyond
- Women in Lillian Hellman's Plays, 1930-1950
- The Foxes in Hellman's Family Forest
- Murdering the Lesbian: Lillian Hellman's The Children's Hour
- Lillian Hellman and Katherine Anne Porter: Memoirs from Outside the Shelter
- The Lesbian Rule: Lillian Hellman and the Measures of Realism
- Lillian Hellman's The Little Foxes and the New South Creed: An Ironic View of Southern History
- Further Reading