It's an interesting question, and there is a reading of "Ligeia" which asserts that this short story is itself intended to parody gothic and Romantic literature. This can be observed in the story's use of language, as Poe utilizes a style of prose that is purple and melodramatic even by Poe's own standards (consider, for example, the narrator's unrestrained rhapsodizing over Ligeia's appearance). From this perspective, Poe's presentation of his narrator's overwrought grief and obsessive behavior regarding his deceased first wife can be read as a satire of the larger genre it inhabits.
That being said, even if one views "Ligeia" itself as primarily a parody, it remains possible that Poe was still entirely sincere in his thematic handling of the subject of death. Remember, a story can be simultaneously satirical or mocking on a purely stylistic level (perhaps as a commentary or critique of its genre, or...
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of other writers working within that genre), without being satirical or self-mocking toward its own thematic content. The two can unfold on different levels, and it would be a valuable question to ask whether such might be the case here—especially when one considers the degree to which death is itself such a recurring and important subject across Poe's entire body of work.
In "Ligeia" by Edgar Allan Poe, how is death addressed in a positive or ironic manner?
In the short story "Ligeia" by Edgar Allan Poe, the text addresses the subject manner in a parodic manner in that it can be seen as a parody of the gothic genre.
Many of the traditional elements of gothic are present and correct in Poe's story, including a beautiful woman, someone coming back to life, and the use of opium. Taken together with the two other works of gothic parody Poe wrote in the same year, it's more than likely that "Ligeia" is also an example of the sub-genre.
The supposed resurrection of Rowena in the form of Ligeia is undercut by the presence of Ligeia's poem "The Conqueror Worm," with its emphasis on human mortality. The inclusion of the poem in the story can also be said to be a parody of the Gothic genre, with its unhealthy obsession with the minute, revolting details of death.
On the whole, one can see "Ligeia" as a parody, a helpful way for the young Poe to develop his writing style by emulating the standard elements of gothic fiction.