(Critical Survey of Contemporary Fiction)

Like Poe’s other short fiction, “LIGEIA” is told by a first-person narrator. The tale opens with an account of this narrator’s marriage to his first wife, Ligeia, a woman from an ancient European family. Possessed with “great intensity,” “fierce energy,” and “immense” knowledge, Ligeia tutors her husband in arcane studies dealing with topics such as reincarnation and transcendentalism. Eventually Ligeia falls ill and dies with the words of Joseph Glanville, which also serve as the motto of the tale, on her lips: “’Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will.’”

The narrator then leaves the “dim decaying city by the Rhine” with his inheritance and purchases an abbey in a remote part of “fair England.” There he marries “the fair-haired and blue-eyed” Lady Rowena Trevanion, of Tremaine. Unfortunately, the narrator’s romantic thoughts, perhaps intensified by opium, are still of Ligeia, and after a few weeks of marriage, Rowena falls ill. One night the narrator thinks he sees three drops of a mysterious “ruby colored fluid” fall into the glass of wine that he gives Rowena, and very soon she apparently dies. On the third night of his bedside vigil, however, the narrator, his thoughts still of Ligeia, sees the corpse stir back to life, not as the blonde Rowena but as the dark-haired Ligeia.

The tale may be interpreted on several levels....

(The entire section is 574 words.)