The central theme of Yann Martel’s Life of Pi concerns religion and human faith in God. However, the novel pointedly refrains from advocating any single religious faith over another. Instead, the novel investigates the nature of religious faith itself. This theme is embodied most clearly in the novel’s protagonist, Pi Patel, who is a devout follower of three very different religions. Pi has studied and memorized the stories of all the various incarnations of the Hindu gods, maintaining shrines in his home to many of them. He also possesses a crucifix and a rosary, going to church on Sundays and praying to Jesus. Lastly, he owns and proudly uses a prayer rug, observing the call to prayer several times a day as a devoted Muslim. By comfortably following three of the world’s major religions, Pi represents not just the possibility of peaceful coexistence between different faiths but also the belief that different religions are merely alternative paths to the same destination.
The specific doctrines of Pi’s three faiths make very little difference to him. When comparing these religions to one another, Pi seems to conclude in his innocence that there need not be conflict between them. For him, each religion simply emphasizes what is most powerful and true in the others according to its own strengths. The religions resemble different chapters of one very long book, each chapter setting up and feeding into the next. The novel contrasts Pi’s easy acceptance of his three faiths with the competition and arguments between the leaders of those faiths. In Munnar, while Pi is walking in a busy marketplace with his parents, they happen upon the pandit, imam, and priest who are the leaders of Pi’s Hindu, Muslim, and Christian faiths, respectively. When the leaders discover that Pi has been following three different religions, each attempts to claim Pi for himself. They reason that one boy cannot follow three different paths, and they begin to debate which religion would be best for Pi. When the leaders demand that Pi choose one faith to the exclusion of all others, he blurts out, “I just want to love God,” embarrassing the hot-headed religious leaders and putting a stop to their debate.
This tension between reason, logic, and argument, on one hand, and simple religious faith and the desire to love God, on the other hand, lies at the novel’s core. The human capacity for reason is contrasted to religious faith repeatedly, nowhere more poignantly than in the chapters showing Pi adrift on the Pacific Ocean, where his faith, not his reason, enables Pi to survive: I was alone and orphaned in the middle of the Pacific hanging onto an oar, an adult tiger in front of me, sharks beneath me, a storm raging about me. Had I considered my prospects in the light of reason, I surely would have given up and let go of the oar, hoping that I might drown before being eaten.
Pi’s refusal to consider his predicament “in the light of reason” opens up space for his faith in God to flourish, and this faith sustains him even through the darkest, most fearful moments. Fear, Pi realizes, is “life’s only true opponent,” and he holds back the fear with his faith, no matter what religion embodies that faith.
The novel also explores another meaning of faith—the human capacity to believe what is unbelievable. Pi’s story challenges readers with plot twists that sound impossible. That Pi...
(The entire section is 906 words.)