When David Edgar's Nicholas Nickleby graced the London stage in 1980, it shattered records as the longest play ever conceived. Subsequently, the production dazzled on the grand stages of New York, stretching over an epic eight-and-a-half-hour journey. Audiences could choose to immerse themselves in a single marathon viewing or spread the experience over two evenings. Remarkably, it set a new precedent with the costliest theater ticket ever, priced at $100 each. As Edgar immersed himself deeper into the project, he resonated more profoundly with the Dickensian ethos of being ‘‘generously angry,’’ channeling this fervor into his work on the play.

This theatrical masterpiece elevates the social consciousness embedded in Dickens’ original work to fresh heights, delivering a call for societal reform while simultaneously inspiring audiences with its uplifting narrative. Edgar identifies three core pillars underpinning the success of his rendition: "First, it reimagines the art of adaptation. It demonstrates how a passionate collective can reshape a piece of art, framing it not simply as a replication but as a commentary on the original. Secondly, it is accessible, far from being cryptic. And thirdly, it steadfastly champions the underdog throughout its considerable duration." The play masterfully intertwines Dickensian social realism with contemporary theatricality and authentic emotion.