The Poem

(Critical Guide to Poetry for Students)

“Le Monocle de Mon Oncle” is one of the longer poems in Wallace Stevens’s first collection, Harmonium. It consists of twelve eleven-line stanzas of flexible blank verse. Its title has multiple reverberations, as its sound play and its French title distance the poem from the author. Readers are asked to accept that they are looking through the uncle’s monocle and not the poet’s own eyes. The title turns the poem into a kind of dramatic monologue, except that the poem’s emphasis is not on characterizing the speaker, as is generally the case in a true dramatic monologue, but on posing and answering, or attempting to answer, philosophical questions. It presents a persona who is aging, disappointed in love, and skeptical about religion. This world-weary speaker explores the nature of desire and inquires how desire translates into art.

Beginning with a mocking speech, perhaps part of a quarrel, the narrator examines his relationship with a woman, presumably his wife. He proceeds to examine the nature of the man-woman situation in general. His tone is of fatigue, disappointment, and withdrawal. He describes an apparent rejection and compares the present with the past: “The radiant bubble that she was.” He is aware of how old he has become and of how he is edging toward death: “I am a man of fortune greeting heirs;/ For it has come that thus I greet the spring.” The poem develops a meditation on sex and death as the speaker muses on...

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Forms and Devices

(Critical Guide to Poetry for Students)

Blank verse is a suitable form for this philosophical poem; its division into twelve eleven-lines stanzas provides a sense of order and completion. The rhythm is flexible rather than metronome-like. The casual, conversational rhythm helps to develop the character of the speaker as well as to present the issues. Figurative language abounds. In fact, the poem is a series of metaphors presented and then explained self-consciously by the narrator. Since this is a poem of meditation by an invented character, the metaphors show the speaker’s rather precise, pedantic way of looking at the world. They are often parables to explain the positions explored in the poem. The speaker describes angels riding mules down from the heavens, while “centurions guffaw and beat/ Their shrilling tankards on the table-boards.” He then explicates: “This parable, in sense, amounts to this,” the explication being the passage quoted above about the “honey of heaven” as contrasted with “that of earth.” The motifs in the poem underscore its theme of mortality: fruit, ripe and rotting; a frog, suggesting the human grotesque; and a mystical tree, which, in its self-replenishment, may suggest the inexhaustibility of nature.

The images of nature suggest the limits of the individual life in contrast with the life force. Images of fluttering birds appear in the last section, and these movements may suggest the helplessness and fragility of the individual. The birds also suggest a contrast between the perceptions of youth and age:

A blue pigeon it is, that circles the blue sky,On sidelong wing, around and round and round.A white pigeon it is, that flutters to the ground,Grown tired of flight . . .

The blue pigeon may suggest participation, what Stevens calls in another title “The Pleasure of Merely Circulating.” The white pigeon is aware of being “tired,” and circling has changed to a downward fluttering. Both the images explained by the speaker and those left for the reader to unravel express the speaker’s sense of exclusion and his need to find another source of self-definition besides sexual love. The speaker is self-mocking but nevertheless serious about his predicament.


(Critical Guide to Poetry for Students)

Bates, Milton J. Wallace Stevens: A Mythology of Self. Berkeley: University of California Press, 1985.

Bloom, Harold. Wallace Stevens. Philadelphia: Chelsea House, 2003.

Cleghorn, Angus J. Wallace Stevens’ Poetics: The Neglected Rhetoric. New York: Palgrave, 2000.

Critchley, Simon. Things Merely Are: Philosophy in the Poetry of Wallace Stevens. New York: Routledge, 2005.

Ford, Sara J. Gertrude Stein and Wallace Stevens: The Performance of Modern Consciousness. New York: Routledge, 2002.

Leggett, B. J. Late Stevens: The Final Fiction. Baton Rouge: Louisiana State University Press, 2005.

Morse, Samuel F. Wallace Stevens: Poetry as Life. New York: Pegasus, 1970.

Santilli, Kristine S. Poetic Gesture: Myth, Wallace Stevens, and the Motions of Poetic Language. New York: Routledge, 2002.

Sharpe, Tony. Wallace Stevens: A Literary Life. New York: St. Martin’s Press, 2000.