In the original preface to this poem, Sir Walter Scott claimed, modestly, that The Lay of the Last Minstrel was primarily intended to illustrate life in the Scottish borders in the middle of the sixteenth century, but the new introduction and elaborate notes he added to the poem in the 1830 edition of his collected poetry—issued by his friend and business partner James Ballantyne—tell a different story. Scott explains the autobiographical and economic circumstances that led to its composition, and he footnotes the history and folklore on which the poem is based.
One of the significant revelations of the notes is that the name of Lord Buccleuch, whose widow is featured in the poem, had been Sir Walter Scott, one of a whole series of Scotts implicit in the history of Branksome; the author also fancied himself (without any real evidence) as a descendant of the thirteenth century natural philosopher Michael Scott, who obtained the inevitable reputation for wizardry attached to anyone in that era capable of rational thought; the poem is therefore as much a celebration of the author’s own presumed genealogy as anything else.
Scott was an unorthodox scholar, and his notes explain at some length that his personal researches and literary endeavors had detracted considerably from the law career that he was supposed to be pursuing. In particular, he had long labored on the compilation of a collection of traditional ballads, Minstrelsy of the Scottish Border (1802-1803; 3 volumes), supplementing Thomas Percy’s classic collection of Reliques of Ancient English Poetry (1765), which had made popular again some of the most famous Scottish ballads. He had also dabbled in translation of German ballads and had written a few short imitations, but The Lay of the Last Minstrel was his first substantial literary composition. It was published three years before he ventured into publishing and nine years before he turned to writing novels.
Understandably, Scott’s 1830 introduction is a...
(The entire section is 835 words.)