Given that this novel remained incomplete at the time of Fitzgerald's death and was subsequently finished by his friend, the notable author and critic Edmund Wilson, based on Fitzgerald's notes, discussions often focus on the "shape" of the plot. Fitzgerald was known for being a meticulous editor and reviser of his work, so contemporary readers cannot be certain that the book ends as he ultimately intended. While the plot was likely meant to conclude with Stahr's death, it is uncertain if this was to occur in the manner presented in the published text. Consequently, readers might develop theories regarding the most plausible and realistic ending for the story.

Since Wilson's contribution constitutes about half of the completed text, much of the character development occurs in his portion. Does Wilson's editing do justice to the initial portrayals of characters like Pat Brady (considering his significant role later in the plot), Kathleen Moore (whose affair with Stahr is a crucial element of the book), and Cecilia Brady (the story's narrator)?

1. Given the current reputation of Hollywood in many people's minds, does Fitzgerald's depiction of Irving Thalberg as Monro Stahr seem believable? Is the character overly idealized?

2. Is the narrative point of view effective in this novel? Would another approach, such as a first-person perspective, be more impactful?

3. If you were tasked with writing the ending for this text, how would you conclude the story?

4. Does Stahr's dedication to his work ethic foreshadow the modern emphasis on individuals who feel overworked and excessively devoted to their careers?

5. Does the time frame of the setting appear realistic, considering the current perception of the 1930s? For instance, do the characters' attitudes and behaviors accurately reflect the historical mood of the era?

6. Once it is recognized that Fitzgerald often modeled characters on real people, does this become distracting? Would a reader enjoy the book more if they were unaware of this practice?

7. Does the enduring theme of reality versus illusion come through more strongly in this novel compared to The Great Gatsby?

8. Does Stahr's series of romances lead to a lower assessment of his character compared to a more "steady" individual?