The Last Tycoon Characters
by F. Scott Fitzgerald

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Characters Discussed

(Great Characters in Literature)

Monroe Stahr

Monroe Stahr, a brilliant, young film producer, as much interested in the artistic value of motion pictures as in making money. Having lost his wife whom he had loved deeply, he now courts death through overwork. He is extremely interested in the welfare of his employees, although he is not always appreciated by them. His short but passionate affair with Kathleen seems to be at the center of this unfinished novel.

Kathleen Moore

Kathleen Moore, Stahr’s mistress, who reminds him of his dead wife. She later marries another man out of a sense of obligation but continues her affair with Stahr.

Pat Brady

Pat Brady, Stahr’s partner. Interested only in making money, Brady is a cold and calculating man. He often opposes Stahr’s policies although he understands almost nothing of the technical end of the industry.

Cecilia Brady

Cecilia Brady, Pat’s daughter, the narrator of the story. She falls in love with Stahr, but he pays no attention to her. After an affair with another man, she suffers a complete breakdown; she relates the story from a tuberculosis sanatorium.

Wylie Whyte

Wylie Whyte, a screenwriter who tries to marry Cecilia and thus gain her father’s influence.

Pete Zavras

Pete Zavras, a cameraman whom Stahr helps to find work. He later helps Stahr when Kathleen’s husband finds out she is having an affair.


Schwartz, a ruined producer who commits suicide.

Characters / Techniques

(Beacham's Encyclopedia of Popular Fiction)

The Last Tycoon was designed as a compact work, like The Great Gatsby (1925), with a narrator to ratify the experiences of a romantic figure. Following his usual pattern, Fitzgerald based Stahr's dead wife on Zelda, Kathleen Moore (Stahr's last love) on Sheilah Graham, and Brady, Stahr's partner, on Louis B. Mayer, whose daughter Cecilia provides the narrative focus. As Fitzgerald explained, "I hoped to get the verisimilitude of a first person narrative, combined with Godlike knowledge of all events that happened to my characters." As a Hollywood insider, Cecilia can see the industry with a clear eye.

Stahr is the final version of a line of Fitzgerald heroes who are gifted poor boys of solid...

(The entire section is 534 words.)