The Last of the Mohicans Themes
The main themes in The Last of the Mohicans are heredity, cultural destruction, and opposing forces.
- Heredity: Chingachgook and Uncas are the last surviving members of the Mohican tribe, and the Mohican bloodline will die with Uncas.
- Cultural destruction: The war between the French colonists and the native tribes has resulted in the destruction of many tribal traditions, as represented by Chingachgook and Uncas's status as the last of the Mohicans.
- Opposing forces: Various characters foil one another: loyal, brave Uncas is set up as a foil for savage, crafty Magua, while delicate, calm Alice foils her headstrong sister, Cora.
Themes
Last Updated August 28, 2024.
Heredity
A prominent theme in The Last of the Mohicans is the influence of
personal lineage. This concept is depicted in various ways, most notably
through the hereditary title of chief, which is passed down from father to son.
This is evident in Chingachgook, a chief and a Mohican, who transfers this
lineage to Uncas, the titular last Mohican, who will become the last chief, or
sagamore, after his father's death. "When Uncas follows in my footsteps, there
will no longer be any of the blood of the sagamores, for my boy is the last of
the Mohicans." Hawkeye also frequently emphasizes that he is "a man without a
cross," insisting that his "white" blood makes him purebred and civilized,
despite his extensive time among the Indians. Magua inherits the title of chief
from his people as well. Cora's direct and passionate disposition is attributed
to her "uncivilized" lineage, as her mother was descended from native peoples
of the West Indies. Her sister, who is of white descent, is more reserved and
composed.
Cultural Destruction
Although The Last of the Mohicans is primarily an abduction narrative or
historical novel, it can also be interpreted as a detailed commentary on the
destruction of cultures. The demise of the Mohican tribe, symbolized by the
murder of Uncas, the last son of the last chief, serves as a microcosm of the
systematic destruction of Native American culture. This theme is further
illustrated through the degradation of Magua's character. As a chief, his
heritage has been corrupted not by murder but by his interactions with
whites—both English and French—and the evils of their culture, particularly
alcohol. It is this sin, consuming the "firewater" of the white man, that leads
to his savagery, betrayal, and eventual death. A subtler example is the
symbolism of Cora's mother, a woman of West Indian slave origin. Her story, and
the genetic legacy she passes to her daughter, highlights the earlier
destruction of native culture during the initial conquests by whites.
Additionally, the destruction of culture is portrayed through
"miscegenation"—both metaphorically and literally. Just as West Indian culture
has been obliterated, so too has intermarriage eroded the distinctiveness of
Cora's racial heritage.
The symbolic role of interracial relationships is emphasized in Uncas's story. His romance with a woman of white descent ultimately results in his demise, mirroring how his engagement with white politics leads to his moral downfall. Similarly, each character in The Last of the Mohicans faces the perils of cultural assimilation and losing their cultural identity. The Hurons have brought about their own destruction by allying with the French and participating in the white man's decimation of their lifestyle and culture. Even Chingachgook has allied himself with a white man, partly due to the absence of his own tribe and the unreliability of other tribes. The "purity" of Native American loyalties has become blurred as they start to choose sides and align with one white nation or another, hastening their own downfall. Chingachgook's fate is sealed the moment he selects Hawkeye as a companion. Though Hawkeye is an isolated white man, not representative of "white culture," and appears largely indifferent to the invaders' conflicts and conquests, Chingachgook has nonetheless departed from his own world and culture. Ultimately, Tamenund remains the only chief loyal to his tribe, foreseeing the end of Native American ways of life. As he states, "The pale faces are masters of the earth, and the time of the redmen has not come again. My day has been too long ... I have lived to see the last warrior of the wise race of the...
(This entire section contains 1006 words.)
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Mohicans."
Opposing Forces
Cooper extensively employs opposites as a central theme, ranging from the
clear-cut—French versus English armies, and Indians against whites—to more
nuanced, character-based contrasts. Among the characters, Hawkeye is a man of
the wilderness, thriving in his natural habitat, and is revealed through his
contrast with various "civilized" and "uncivilized" men. Major Heyward, a
soldier, cannot adapt to the survival tactics required in Hawkeye's world.
Despite his uniform and training in warfare, Heyward is helpless and must rely
entirely on Hawkeye once he leaves the fort's safety. Outside his familiar
environment, Heyward is ineffective. David Gamut, the psalmist, embodies a
structured and civilized spirituality, contrasting with Hawkeye's natural,
pagan existence. Chingachgook represents the other aspect of Hawkeye's
wilderness life. While Hawkeye is cautious and reserved, his Mohican companion
is impulsive, killing nominal enemies who pose no threat and eager to engage in
conflict without consideration. Hawkeye frequently emphasizes that, despite
spending thirty years in the woods and living among the Indians, he has no
Indian blood. For Chingachgook, the situation is quite the opposite; he is to
be seen for what he truly is, an Indian.
Uncas serves as a foil for several characters. Most notably, he contrasts sharply with Magua. While Uncas is attractive, strong, and unscarred, Magua appears savage, cunning, and bears the marks of battles and his own missteps. Uncas lives alongside his father and Hawkeye in the wilderness. In contrast, Magua has been exiled from his people, initially serving the English, then the French army, and eventually returning to his tribe. Although both are destined to become chiefs of their respective nations, Uncas lacks a nation to lead, and Magua's people have rejected him. In simple terms, Cooper portrays Uncas as the ideal, noble Indian, while Magua is depicted as the cunning, vicious savage.
Uncas and Major Heyward are also used as opposites, each serving as potential suitors for the Munro sisters. Uncas is silent and classically handsome, as noted by the girls, and expresses his love for Cora through his actions, including his ultimate sacrifice. He contrasts with Major Heyward, who loves Alice. Heyward, also handsome but not in a classical sense, is a talkative man who relies on words rather than actions. He neither fights for nor sacrifices his life for Alice. Instead, he participates in her rescue by following the group, adhering to Hawkeye's instructions, and being fortuitously present at the right moments.