Phillips uses the perspectives of Lark, Termite, Leavitt, and Nonie to weave a tapestry of characters who may be separated by time, geography, and circumstance but who nevertheless share a common bond.
Lola is the thread connecting all of these characters—mother to Lark and Termite, lover to Charlie and Leavitt, sister to Nonie—yet Phillips refrains from showing the reader Lola’s point of view until the final section of the book, which relates Lola’s last moments before committing suicide. Lola comes alive, though, through the remembrances of Nonie and Leavitt. Lola grows up as a fiery, beautiful girl promised by her evangelical preacher father that she has “the spirit in her.” This sense of being special gives her the confidence she needs to be a jazz singer but leaves her ill prepared for the tragedies of everyday life.
Nonie is in many ways a direct contrast to her younger sister, Lola. She is hard working and determined; she keeps her emotions stored within. However, she shares Lola’s independent streak—she leaves Winfield first and leads Lola to Billy Onslow’s nightclub. Nonie is not able to have children, so she values Lark and Termite as her own. Lola even predicts this when she explains her pregnancy with Charlie to Nonie: “This is Charlie’s baby, and yours, the only way the two of you will ever have a child.”
Although Lark has never met Lola, she shares a lot of her personality traits with her mother. Like Lola, Lark loves to draw. She also has Lola’s wandering spirit; she collects picture postcards of different main streets from across the United States and decorates her bedroom wall with them. Lark also shares with Lola a captivating beauty that mesmerizes all who meet her. Emotionally, Lark lacks her mother’s manic emotional tendencies and instead recalls the rock of her father, Charlie. She shows...
(The entire section is 651 words.)