Student Question
How does "Soul Gone Home" portray typical poverty-stricken African-American life?
Quick answer:
The question is asking why this play is "still applicable" to African-American poverty today. Basically, the answer is that poverty has not changed much for people of color in the last eighty years, and that it is still as prevalent today as it was then. People of color are still being left by their fathers, still being forced into prostitution, and still having high rates of incarceration. The statistics in the answer show how these things have stayed the same over time.Statistics show that the account of African-American poverty Langston Hughes
gives in his one-act play "Soul Gone Home" is still very true today.
In the play, as Ronnie, who has just died of tuberculosis contracted as a
result of malnutrition, complains to his mother about her inability to be a
good parent, we learn that Ronnie grew up in a single tenement room,
undernourished, and left on his own to roam the streets. His mother was forced
into prostitution because Ronnie's father "ruint" her, meaning impregnated her
outside of marriage, leaving her to raise her "little bastard" son on her own
through whatever means she could find, which was prostitution.
Though it has been nearly 80 years since Hughes wrote the play in 1937, we find
that even today 27% of African Americans live in poverty, concentrated in
ghettos, in comparison to "just 11% of all Americans" ("Poverty in Black
America," Black Demographics). Among the impoverished African
Americans, 46% are families with children, and 55% of those families are headed
by single African-American women ("Poverty in Black America"). The percentage
of single African-American women raising children is significantly lower than
the 9.4% of single non-Hispanic white women raising children ("Household Composition,"
Women's Health USA 2012). These statistics show us that, just like in
Ronnie's situation, nearly half of African-American children
are still growing up in poverty, abandoned by fathers. In
addition, 37% of African-American youths are incarcerated even though they only
make up 16% of the total US youth population, which shows us that, like Ronnie,
a large percentage of African-American youths today are still either
growing up on the streets with all of its incriminating
influences or being unjustly incarcerated (Kerby,
"The Top 10 Most Startling Facts About People of Color"). Hence, as we can
see, Hughes's "Soul Gone Home" is still an applicable portrayal of
African-American poverty.
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