La Rochefoucauld Criticism
- Introduction
- Principal Works
-
Essays
- The Concept of Amour-Propre in the Maximes of La Rochefoucauld
- Moral Assessment in La Rochefoucauld
- Scepticism and Positive Values in La Rochefoucauld
- The Myth of amour-propre in La Rochefoucauld
- Paradox and the Language of Morals in La Rochefoucauld
- The Personae in the Style of La Rochefoucauld's Maximes
- La Rochefoucauld and the Art of the Self-Portrait
- Lost Paradise and Self-Delusion in the Maxims of La Rochefoucauld
- A Reconsideration of La Rochefoucauld's Maximes
- A Problematic Work
- Style, the Self, and Society in La Rochefoucauld's Réflexions diverses
- Knowledge, Meaning and Style in Variants of La Rochefoucauld's Maximes
- The Reception of La Rochefoucauld's Maximes (1659-1665): A Question of Gender?
- La Rochefoucauld and the Social Bases of Aristocratic Ethics
- The Maximes as Theatre
- La Rochefoucauld: Maximum Maximist
- Psychological Atomism, Amour-propre, and the Language of Generosity
- La Rochefoucauld and the Vicissitudes of Time
- Humor in the Maximes of La Rochefoucauld
- Further Reading