[In Jailbird] Vonnegut's manner, as usual, is jokey and faux naïf. He writes about serious matters—labour massacres and judicial murder in America—without the slightest risk of earnestness. Yet underneath the comedy, Vonnegut is still indignant at capitalism and bitter over the murder of Sacco and Vanzetti in 1927, wondering a little ruefully why the story of their martyrdom has been forgotten…. Vonnegut's voice does not falter; like the master raconteur he is, the story is always entertaining. Jailbird's texture is occasionally bland …, but the jokes are good….

Jailbird is a neat fable for the post-Watergate age. Since Slaughterhouse-5 Vonnegut has tried to use the freedom of fantasy and science fiction to grapple with the social and historical reality of our times. Only the sombre anecdotes, such as the detailed description of the Sacco and Vanzetti case, and the much briefer description of the Wyatt Clock contract (fifty women in Brockton, Mass., who died from radiation poisoning …), stick somewhat awkwardly in the throat as the witty laid-back smoothness of Vonnegut's prose goes down.