Part satirist and part visionary, Kurt Vonnegut … enjoys a sudden vogue since the late Sixties, particularly among youths disaffected with militarism, greed, and excessive rationality, with various ecological and technological disasters. A dark comedian even more than a satirist, Vonnegut expresses his rage, guilt, and compassion, his sense of being alive in a world of death, in frightening dystopias. But as sly prophet, he presents alternatives to the human condition in science fictions, disporting the virtues of his favorite Tralfamadorians. His urgency carries itself lightly in fantasy or whimsy, though his gruff sentimentality also tends to weaken his hold on complex realities. (p. 45)

A fatalist and dreamer, he conceals his discomforts within strange levity. His harshest critics find him lacking in mind. Yet Vonnegut offers, more than levity, an honest perception of his moment; and creates a style both lax and gnomic, "telegraphic schizophrenic," which attempts to carry his sense of discontinuity toward some visionary end. (p. 47)