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Kurt Vonnegut

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Granville Hicks

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[Vonnegut] is a sardonic humorist and satirist in the vein of Mark Twain and Jonathan Swift. In earlier works, such as Player Piano, Cat's Cradle, and God Bless You, Mr. Rosewater, he has made fun of the worship of science and technology. Now we can see that his quarrel with contemporary society began with his experiences in World War II, about which he has at last managed to write a book [Slaughter-house-Five]….

Vonnegut never does get around to describing the raid on Dresden, and that shows the wisdom of the strategy he was finally led to adopt. When the planes came over, Billy and a few other prisoners, together with four of their guards, took refuge in a meat locker…. In trying to tell what he and his fellow-survivors saw the next morning when they emerged from the locker, about all Billy can say is, "It was like the moon." It is by this and other kinds of indirection that Vonnegut makes his impression.

Vonnegut's satire sweeps widely, touching on education, religion, advertising, and many other subjects….

But the central target is the institution of war…. The terrible destruction of Dresden is, as Vonnegut sees it, an example of the way the military mind operates. (He quotes a military historian to the effect that the raid served no essential purpose.) He shows that in great matters as in small war is brutal and stupid….

Like Mark Twain, Vonnegut feels sadness as well as indignation when he looks at the damned human race. Billy Pilgrim is a compassionate man, and meditates a good deal on the life and teachings of Jesus and on institutionalized Christianity…. Partly as a result of what he has learned on Tralfamadore, Billy is to some extent reconciled to life as it is lived on Earth. But Vonnegut is not, and in this book he has expressed his terrible outrage….

As I read it, I could hear Vonnegut's mild voice, see his dead pan as he told a ludicrous story, and gasp as I grasped the terrifying implications of some calm remark. Even though he is not to be identified with Billy Pilgrim, he lives and breathes in the book, and that is one reason why it is the best he has written. (p. 25)

Granville Hicks, in Saturday Review (© 1969 by Saturday Review, Inc.; reprinted with permission), March 29, 1969.

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