Maurice Beebe (essay date 1964)
SOURCE: Beebe, Maurice. Introduction to Ivory Towers and Sacred Founts: The Artist as Hero in Fiction from Goethe to Joyce, pp. 3-18. New York: New York University Press, 1964.
[In the following introduction to what is generally considered the definitive study of the künstlerroman, Beebe examines the theory of the “Divided Self” whereby the main character of a book is an outward expression of the author himself; he also explores the “Ivory Tower” tradition in which the writer “exalts art above life” and the “Sacred Fount” theory where the artist equates art with experience.]
No sooner has Denis Stone, the young poet in Aldous Huxley's Crome...
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