Kubla Khan Criticism
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Kubla Khan, Samuel Taylor Coleridge (Nineteenth-Century Literary Criticism)
- Introduction
- Principal Works
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Criticism
- 'Kubla Khan': That Phantom-World So Fair
- Coleridge's “Kubla Khan” and the Fragment of Romanticism
- Coleridge's Mandala
- 'Kubla Khan' in Context
- The Topography of Initiation in ‘Kubla Khan’
- Pandemonium in Xanadu
- Inspiration and the Historical Sense in ‘Kubla Khan’
- ‘Most Capital Enemies of the Muses’: War, Art, and ‘Kubla Khan’
- The Languages of Kubla Khan
- The Faults of Vision: Identity and Poetry (A Dialogue of Voices, with an essay on Kubla Khan)
- Coleridge's ‘Kubla Khan’: A Metaphor for the Creative Process
- 'Kubla Khan' in the Context of Coleridge's Writings Around 1802
- The False Poets in ‘Kubla Khan’
- The Imaginative Vision of Kubla Khan On Coleridge's Introductory Note
- ‘Kubla Khan’ and Eighteenth Century Aesthetic Theories
- Kubla Can: Wordplay in Coleridge's Poetry
- Two Notes on ‘Kubla Khan’
- Coleridge's Intellectual Intuition, the Vision of God, and the Walled Garden of ‘Kubla Khan’
- Further Reading
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Kubla Khan, Samuel Taylor Coleridge (Poetry Criticism)
- Introduction
- Principal Works
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Criticism
- Review of Christabel; Kubla Khan, a Vision; The Pains of Sleep
- Scourge and Satirist
- Review of Christabel; Kubla Khan, A Vision; The Pains of Sleep
- Review of Christabel; Kubla Khan, a Vision; The Pains of Sleep
- The Sleeping Images
- ‘Kubla Khan.’
- Keys to ‘Kubla Khan.’
- ‘Kubla Khan’ and the Creative Process
- ‘Kubla Khan.’
- 'Kubla Khan': Proto-Surrealist Poem
- The Daemonic in ‘Kubla Khan’: Toward Interpretation
- 'Kubla Khan' and the Critics: Romantic Madness as Poetic Theme and Critical Response
- The Languages of ‘Kubla Khan.’
- Conversational Pretense in ‘Kubla Khan.’
- Coleridge's Ancestral Voices
- Further Reading