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King Lear

(Critical Survey of Contemporary Fiction)

King Lear, weary of rule, divides his kingdom among his three daughters, but he disowns his youngest and favorite, Cordelia, when she refuses to speak her love. The King of France, her suitor, loyally weds her.

Lear’s two older daughters, Goneril and Regan, prove niggardly in their care of him; finally, accompanied only by his faithful Fool, he flees into a wild heath during a terrific storm. On the heath, he raves in a fit of inspired madness. Meanwhile, the two daughters plot against each other, and France invades England to rescue Lear. In the battle, Lear and Cordelia are captured and imprisoned, and Lear is unable to save her from hanging by her captors. His hopes blasted, he dies grief-stricken.

In a parallel subplot, Lear’s faithful nobleman the Earl of Gloucester disowns his true son Edgar when he is deceived by his bastard son Edmund. When Gloucester aids Lear, Edmund informs on him, and in punishment Gloucester’s eyes are gouged out and he is turned out to wander. Edgar, disguised as Poor Tom the madman, cares for him until Gloucester dies of a broken heart.

The intensity of elemental passions, the physical and mental cruelty, the enormous scope of the metaphoric cosmic language, and the depth of anguish in this play make it, in the judgment of many, Shakespeare’s deepest tragedy. The play provides no clear answer to the question Lear raises: “Is there any cause in Nature that makes these hard hearts?”

Bibliography:

Booth, Stephen. “King...

(The entire section is 467 words.)