John Ruskin, an eminent figure in the realms of aesthetics, art history, reform, and economics, might not seem the typical author behind a celebrated fairy tale. Yet, his "The King of the Golden River" stands as a testament to the timeless charm of such narratives, captivating both young and mature audiences despite Ruskin’s own modest appraisal. In his autobiography, PRAETERITA, Ruskin dismissed the story's literary value, declaring, “I can no more write a story than compose a picture.” However, the story’s enduring appeal suggests otherwise, as it echoes the timeless allure of folk tales like Cinderella and Aladdin, with a familiar plot where virtue triumphs over vice.

Ruskin’s tale is a tapestry woven from the threads of significant literary influences, primarily the Brothers Grimm and Charles Dickens. From the Grimms, he borrowed the fantastical elements and the story’s Germanic backdrop. In contrast, the warmth, conversational style, and the characterization of Gluck—the story’s innocent protagonist—bear the unmistakable influence of Dickens, as does the underlying social critique.

Gluck, the protagonist, embodies the quintessential Victorian child, akin to Dickens’ creations like Oliver Twist and Tiny Tim. He is an emblem of innocence, navigating a harsh, profit-driven world dominated by adults. Despite being subjected to the cruelty of his older brothers, Gluck remains untouched by the malice around him, responding only with kindness and a spirit of Christian charity. This purity of heart aligns him with a mystical realm that guards over him, much like the fantastical interventions often seen in Dickens’s works.

The narrative juxtaposes this magical protection with the stark reality of the adult world, one governed by greed and avarice. His brothers, Schwartz and Hans, symbolize this world, their characters reminiscent of Dickens’ own Scrooge. The visits from the South-West Wind and the King of the Golden River serve as Ruskin’s version of the transformative ghosts in "A Christmas Carol." However, unlike Scrooge, who ultimately learns and repents, Schwartz and Hans remain obstinate, meeting their demise as they turn to stone. Gluck’s triumph is complete; he emerges as a compassionate farmer, serving the needy in a manner not unlike the redeemed Scrooge, embodying the virtues of kindness and generosity.