Themes: Human Condition

Download PDF PDF Page Citation Cite Share Link Share

Dana quickly discovers that the grim realities of slavery are far more terrifying than how they are depicted in books, movies, and TV shows. Before her time-traveling experience, she referred to the temp agency where she worked as a "slave market," despite the fact that "the people who ran it couldn't have cared less whether or not you showed up to do the work they offered."

This starkly contrasts with life on the Weylin plantation, where a slave who visits his wife without his master's approval is brutally whipped. A more painful realization for Dana is how this harsh treatment crushes the spirit. "Slavery of any kind fostered strange relationships," she observes, noting that all the slaves share a complex blend of fear, contempt, and affection for Rufus, just like she does.

At first, she struggles to comprehend Sarah's patience with a master who sold three of her children. Similarly, she notes that Isaac Greenwood "was like Sarah, holding himself back, not killing despite anger I could only imagine. A lifetime of conditioning could be overcome, but not easily."

After being beaten following an escape attempt, Dana is tormented by doubts about her own strength: "Why was I so frightened now—frightened sick at the thought that sooner or later, I would have to run again? … I tried to get away from my thoughts, but they still came. See how easily slaves are made? they said."

Ultimately, Dana realizes that she cannot accept slavery, even to someone who might not physically harm her. "A slave was a slave. Anything could be done to her," Dana reflects as she plunges the knife into Rufus' side.

Expert Q&A

Why is examining history from different perspectives important, even though we can't alter it?

Examining history from different perspectives is crucial because historical accounts are influenced by the perspectives of those who record them. A single viewpoint can lead to a limited understanding of events. By exploring multiple perspectives, such as first-person accounts and fictional works like Kindred, we gain a fuller picture of history, including its complexities and human elements. This broader understanding helps us learn from the past and apply that knowledge to present and future challenges.

Is Rufus in Kindred an improvement over his father, and how has Dana influenced him?

Rufus in Octavia Butler's Kindred is not an improvement over his father, Tom Weylin. Despite Dana's attempts to instill morality and equity in Rufus, he remains deeply influenced by the racist norms of his time. While Dana's influence leads Rufus to treat her slightly better, this does not extend to others, including Alice, whom he abuses. Rufus lacks a consistent moral system, making him unpredictable and often cruel, unlike his father who, though brutal, adheres to a set standard of honesty.

How does Octavia Butler challenge the concept of boundaries in Kindred?

Octavia Butler challenges boundaries in Kindred by juxtaposing modern and historical perspectives on race and identity. Through Dana, a black woman from the 1970s married to a white man, Butler explores the complexities of racial boundaries as Dana time-travels to the era of slavery. This experience forces Dana to confront the harsh realities of slavery and the fluidity of racial identity, highlighting the arbitrary and constructed nature of racial divisions across time.

In Kindred, how does Butler reveal the origins of stereotypes and deflate them through characterizations?

Butler reveals and deflates stereotypes in "Kindred" through complex characterizations. Dana, a black woman from the 1970s, is transported to the antebellum South, experiencing the harsh realities of slavery. Characters like Tom Weylin and Rufus embody typical master stereotypes, yet Dana's modern relationship with her white husband, Kevin, contrasts these roles, highlighting evolved race relations. Characters like Sarah and Nigel subvert stereotypes by defying expected behaviors, showcasing the complexity of individual roles beyond racial and historical stereotypes.

In Kindred, if Kevin and Dana can't change history, what is the purpose of Dana's travels back to the antebellum South?

"We're in the middle of history. We surely can't change it" (100) and "It's over....There's nothing you can do to change any of it now" (264).

Dana's travels to the antebellum South serve as an educational journey for both her and the reader, illustrating the importance of understanding and acknowledging history, even if it cannot be changed. Through her first-person perspective, readers experience the harsh realities of the past, emphasizing the significance of knowing one's history to comprehend the present better. This narrative highlights the value of historical awareness and personal growth.

How does Kevin Franklin's extended stay in the 19th century change him?

Kevin Franklin's extended stay in the 19th century profoundly changes him. Experiencing the brutal realities of slavery firsthand, he becomes deeply emotionally affected. He works for abolition and education, witnessing atrocities that make modern life seem trivial. Upon returning to the present, Kevin struggles with feelings of anger, helplessness, and alienation, particularly towards Dana for their time-travel ordeal. Although he eventually reconciles with these changes, the experience leaves a lasting impact on his perspective and relationships.

What does Sarah teach Dana about womanhood in Octavia Butler's Kindred, considering the role of African American women under slavery?

Butler's novel is a story of slavery in the American South. Dana, a young black woman from California, travels back in time to 1815 Maryland and meets her ancestors, who are slaves. The main idea of the book is that you should never fight fate. Sarah tries to teach this lesson to Dana by showing her how she lost her children and husband because she didn't accept destiny. Sarah teaches Dana that if life gives you something horrible, it will only get worse if you try to change it. In a few ways, Sarah's lessons conform to what we know about the role of African American women under slavery. She tells Dana that she needs to be submissive and obedient because she is powerless as a slave and can'

In Kindred, how does Dana confront race and gender issues?

Dana is not at all concerned about race, because she believes that time travel is what matters. She does not believe in slavery and thinks that blacks should have freedom. She also likes to think of herself as being equal to everyone else, even though she may be a little better off than the slaves.

What are the non-logical reasons Dana finds it hard to kill Rufus in Kindred, and what might this suggest about the author's overall message?

One reason it is so hard for Dana to kill Rufus is because she recalls the young boy whom she saved in the river. Rufus was once innocent and full of hope, and Dana had hoped that she could positively influence his perceptions. One overall message in this novel is that people are significantly influenced by their environments, which will shape the way they view themselves and others.

Why does the twentieth century seem less vivid to Dana than the past, upon her return with Kevin?

"I felt as though I were losing my place here in my own time. Rufus's time was a sharper, stronger reality."
Dana realizes that during her time in the past, she experiences a level of intensity and reality that is not present in everyday life in the 1970s. She believes that this intensity and reality is vital to her creative development as a writer, and she is sad to leave it behind when she returns to her "own" time.
Show another question (7 questions hidden)

Get Ahead with eNotes

Start your 48-hour free trial to access everything you need to rise to the top of the class. Enjoy expert answers and study guides ad-free and take your learning to the next level.

Get 48 Hours Free Access
Previous

Themes: All Themes

Next

Themes: Choices and Consequences

Loading...