Death of a Writer
[Boyd is an acclaimed English novelist. In the following essay, he eulogizes his friend Saro-Wiwa and describes events that led up to his execution.]
Ken Saro-Wiwa was a friend of mine. At eleven-thirty in the morning on November 10th, he was hanged in a prison in Port Harcourt, in eastern Nigeria, on the orders of General Sani Abacha, the military leader of Nigeria. Ken Saro-Wiwa was fifty-four years old, and an innocent man.
I first met Ken in the summer of 1986 at a British Council seminar at Cambridge University. He had come to England from Nigeria in his capacity as a publisher and had asked the British Council to arrange a meeting with me. He had read my first novel, A Good Man in Africa, and had recognized, despite fictional names and thin disguises, that it was set in Nigeria, the country that had been my home when I was in my teens and early twenties.
Ken had been a student at the University of Ibadan, in western Nigeria, in the mid-sixties. My late father, Dr. Alexander Boyd, had run the university health services there, and had treated Ken and come to know him. Ken recognized that the Dr. Murray in my novel was a portrait of Dr. Boyd and was curious to meet his son.
I remember that it was a sunny summer day, one of those days that are really too hot for England. In shirtsleeves, we strolled about the immaculate quadrangle of a Cambridge college, talking about Nigeria. Ken was a small man, probably no more than five feet two or three. He was stocky and energetic—in fact, brimful of energy—and had a big, wide smile. He smoked a pipe with a curved stem. I learned later that the pipe was virtually a logo: in Nigeria, people recognized him by it. In newsreel pictures that the Nigerian military released of the final days of Ken's show trial, there's a shot of him walking toward the courthouse, leaning on a stick, thinner and aged as a result of eighteen months' incarceration, the familiar pipe still clenched between his teeth.
Ken was not only a publisher but a businessman (in the grocery trade); a celebrated political journalist, with a particularly trenchant and swingeing style; and, I discovered, a prolific writer of novels, plays, poems, and children's books (mostly published by him). He was, in addition, the highly successful writer and producer of Nigeria's most popular TV soap opera, Basi & Co. Basi & Co., which ran for a hundred and fifty-odd episodes in the mid-eighties, was reputedly Africa's most watched soap opera, with an audience of up to thirty million. Basi and his cronies were a bunch of feckless Lagos wide boys who, indigent and lazy, did nothing but hatch inept schemes for becoming rich. Although funny and wincingly accurate, the show was also unashamedly pedagogic. What was wrong with Basi and his chums was wrong with Nigeria: none of them wanted to work, and they all acted as though the world owed them a living; if that couldn't be acquired by fair means foul ones would do just as well. This was soap opera as a form of civic education.
Whenever Ken passed through London, we'd meet for lunch, usually in the Chelsea Arts Club. His wife and four children lived in England—the children attended school there—so he was a regular visitor. And, though I wrote a profile of him for the London Times (Ken was trying to get his books distributed in Britain), our encounters were mainly those of two writers with something in common, hanging out for a highly agreeable, bibulous hour or three.
Ken's writing was remarkably various, covering almost all genres. Sozaboy, in my opinion his greatest work, is subtitled "A Novel in Rotten English" and is written in a unique combination of pidgin English, the lingua franca of the former West African British colonies, and an English that is, in its phrases and sentences, altogether more classical and lyrical. The language is a form of literary demotic, a benign hijacking of English, and a perfect vehicle for the story it tells, of a simple village boy recruited into the Biafran Army during the Nigerian civil war. The boy has dreamed of being a soldier (a "soza"), but the harsh realities of this brutal conflict send him into a dizzying spiral of cruel disillusion. Sozaboy is not simply a great African novel but also a great antiwar novel—among the very best of the twentieth century.
Sozaboy was born of Ken's personal experience of the conflict—the Biafran War, as it came to be known—and, indeed, so were many of his other writings. Biafra was the name given to a loose ethnic grouping in eastern Nigeria dominated by the Ibo tribe. The Ibo leader, Colonel Chukwuemeka Odumegwu Ojukwu, decided to secede from Nigeria, taking most of the country's oil reserves with him. In the war that was then waged against the secessionist state, perhaps a million people died, mainly of starvation in the shrinking heartland.
Not all the ethnic groups caught up in Ojukwu's secessionist dream were willing participants. Ken's tribe, the Ogoni, for one. When the war broke out, in 1967, Ken was on vacation and found himself trapped within the new borders of Biafra. He saw at once the absurdity of being forced to fight in another man's war, and he escaped through the front lines to the federal side. He was appointed civilian administrator of the crucial oil port of Bonny on the Niger River delta, and he served there until the final collapse of the Biafran forces in 1970. Ken wrote about his experiences of the civil war in his fine memoir, On a Darkling Plain.
Ken's later fight against the Nigerian military, as it turned out, was oddly pre-figured in those years of the Biafran War: the helplessness of an ethnic minority in the face of an overpowering military dictatorship; oil and oil wealth as a destructive and corrupting catalyst in society; the need to be true to one's conscience.
This moral rigor was especially apparent in Ken's satirical political journalism (he was, over the years, a columnist on the Lagos daily newspapers Punch, Vanguard, and Daily Times), much of which was charged with a Swiftian saeva indignatio at what he saw as the persistent ills of Nigerian life: tribalism, ignorance of the rights of minorities, rampant materialism, inefficiency, and general graft. Apart from Basi & Co., his journalism was what brought him his greatest renown among the population at large.
In the late eighties, I remember, Ken's conversations turned more and more frequently to the topic of his tribal homeland. The Ogoni are a small tribe (there are two hundred and fifty tribes in Nigeria) of about half a million people living in a small area of the fertile Niger River delta. The Ogoni's great misfortune is that their homeland happens to lie above a significant portion of Nigeria's oil reserves. Since the mid-nineteen-fifties, Ogoniland has been devastated by the industrial pollution caused by the extraction of oil. What was once a placid rural community of prosperous farmers and fishermen is now an ecological wasteland reeking of sulfur, its creeks and water holes poisoned by indiscriminate oil spillage and ghoulishly lit at night by the orange flames of gas flares.
As Ken's concern for his homeland grew, he effectively abandoned his vocation and devoted himself to lobbying for the Ogoni cause at home and abroad. He was instrumental in setting up the Movement for the Survival of the Ogoni People (MOSOP) and soon became its figurehead. That struggle for survival was an ecological more than a political one: Ken protested the despoliation of his homeland and demanded compensation from the Nigerian government and from the international oil companies—Shell in particular. (He resented Shell profoundly and, with good reason, held the company responsible for the ecological calamity in Ogoniland.) His people, he said, were being subjected to a "slow genocide." But from the outset Ken made sure that the movement's protest was peaceful and nonviolent. Nigeria today is a corrupt and dangerously violent nation: it was enormously to the credit of the Ogoni movement that it stayed true to its principles. Mass demonstrations were organized and passed off without incident. Abroad, Greenpeace and other environmental groups allied themselves with the Ogoni cause, but, ironically, the real measure of the success of Ken's agitation came when, in 1992, he was arrested by the Nigerian military and held in prison for some months without a trial. The next year, Shell Oil ceased its operations in the Ogoni region.
At that time, the Nigerian military was led by General Ibrahim Babangida. Ken was eventually released (after a campaign in the British media), and Babangida voluntarily yielded power to General Abacha, a crony, who was meant to supervise the transition of power to a civilian government after a general election, which was duly held in 1993. The nation went to the polls and democratically elected Chief Moshood Abiola as President. General Abacha then declared the election null and void and later imprisoned the victor. Nigeria entered a new era of near-anarchy and despotism. Things looked bad for Nigeria, but they looked worse for the Ogoni and their leaders.
Over these years, Ken and I continued to meet for our Chelsea Arts Club lunches whenever he was in London. In 1992, he suffered a personal tragedy, when his youngest son, aged fourteen, who was at Eton, died suddenly of heart failure during a rugby game. Strangely, Ken's awful grief gave a new force to his fight for his people's rights.
We met just before he returned to Nigeria. From my own experience of Nigeria, I knew of the uncompromising ruthlessness of political life there. Ken was not young, nor was he in the best of health (he, too, had a heart condition). As we said goodbye, I shook his hand and said, "Be careful, Ken, O.K.?" And he laughed—his dry, delighted laugh—and replied, "Oh, I'll be very careful, don't worry." But I knew he wouldn't.
A succession of Nigerian military governments have survived as a result of the huge revenues generated by oil, and the military leaders themselves have routinely benefitted from the oil revenues, making millions and millions of dollars. Any movement that threatened this flow of money was bound to be silenced—extinguished. With the ascendance of Abacha and his brazenly greedy junta, Ken was now squarely in harm's way. Even so, he returned to Nigeria to continue his protests. These protests were now conducted in a more sinister country than the one I had known—a country where rapes, murders, and the burning of villages were being carried out as a deliberate policy of state terrorism. There have been two thousand Ogoni deaths thus far.
In May of last year, Ken was on his way to address a rally in an Ogoni town but was turned back at a military roadblock and headed, reluctantly, for home. The rally took place, a riot ensued, and in the general mayhem four Ogoni elders—believed to be sympathetic to the military—were killed.
Ken was arrested and, with several others, was accused of incitement to murder. The fact that he was in a car some miles away and going in the opposite direction made no difference. He was imprisoned for more than a year and then was tried before a specially convened tribunal. There was no right of appeal. This "judicial process" has been internationally condemned as a sham. It was a show trial in a kangaroo court designed to procure the verdict required by the government.
On Thursday, November 2nd, Ken and his co-defendants were found guilty and sentenced to death. Suddenly the world acknowledged the nature of Nigeria's degeneracy.
Things did not augur well. But, instinctively wanting to make the best of a bad situation, I hoped that the publicity surrounding Ken's case, along with the timely coincidence of the Commonwealth conference in New Zealand (a biennial gathering of the former members of the British Empire), would prevent the very worst from happening. Surely, I reasoned, the heads of state congregating in Auckland would not allow one of their members to flout their own human-rights principles so callously and blatantly? General Abacha, however, did not dare leave his benighted country, which was represented by his Foreign Minister instead.
The presence of Nelson Mandela at the conference was especially encouraging, not only for me but also for all the people who had spent the last months fighting to free Ken. (We were a loose-knit organization, including International PEN, the Ogoni Foundation, Amnesty International, Greenpeace, and others.) We felt that if anything could persuade the Nigerians to think again it would be Mandela's moral authority. We were baffled and confused, though, when Mandela did little more than persistently advocate that we should all be patient, that the problem would be resolved through an easy, low-key diplomacy.
Despite Mandela's advice, there was a clamorous condemnation in the media of the Nigerian military. In response, Abacha's junta released newsreel pictures of Ken's trial to establish the legality of the "judicial process." One saw a row of prisoners, still, faces drawn, heads bowed, confronting three stout officers, swagged with gold braid, ostentatiously passing pieces of paper to each other. In the background, a soldier strolled back and forth. Then Ken addressed the court. His voice was strong: he was redoubtably defiant; he seemed without fear, utterly convinced.
These images both defied belief and profoundly disturbed. If Abacha thought that this would make his tribunals look acceptable, then the level of naïveté, or blind ignorance, implied was astonishing. But a keening note of worry was also sounded: someone who could do something this damaging, I thought, was beyond the reach of reason. World opinion, international outrage, appeals for clemency seemed to me now to be nugatory. Abacha had painted himself into a corner. For him it had become a question of saving face, of loud bluster, of maintaining some sort of martial pride. I slept very badly that night.
The next day, November 10th, just after lunch, I received a call from the Writers in Prison Committee of International PEN. I was told that a source in Port Harcourt had seen the prisoners arrive at the jail at dawn that day, in leg irons. Then the executioners had presented themselves, only to be turned away, because—it was a moment of grimmest, darkest farce—their papers were not in order. This source, however, was "a hundred and ten per cent certain" that the executions had eventually occurred. Some hours later, this certainty was confirmed by the Nigerian military.
So now Ken was dead, along with eight co-defendants: hanged in a mass execution just as the Commonwealth Conference got under way.
I am bitter and I am dreadfully sad. Ken Saro-Wiwa, the bravest man I have known, is no more. From time to time, Ken managed to smuggle a letter out of prison. One of the last letters I received ended this way: "I'm in good spirits … There's no doubt that my idea will succeed in time, but I'll have to bear the pain of the moment … The most important thing for me is that I've used my talents as a writer to enable the Ogoni people to confront their tormentors. I was not able to do it as a politician or a businessman. My writing did it. And it sure makes me feel good! I'm mentally prepared for the worst, but hopeful for the best. I think I have the moral victory." You have, Ken. Rest in peace.
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