(Critical Edition of Young Adult Fiction)

Although E. M. Almedingen protests that this is not a translation or even an abridgement of her great-aunt’s much longer work, she says she has followed the “landscape” faithfully and has used much of the dialogue, as well as the incidents and characters of the original, all of which were based on diaries kept by Catherine Almedingen since childhood. The tone reflects nineteenth century attitudes toward children. Katia’s occasional lapses from good behavior are recounted frankly, and it is easy to understand why she might have had a tantrum or been tempted into some childhood fault. Yet such incidents are usually followed by a reproving comment, and the decisions of the adults, some of which may seem unreasonable to the modern reader, are not questioned.

This picture of the disciplined life of children amid the lavish extravagance on three great estates is the most interesting aspect of the book. While wealthy women such as Aunt Marie are waited upon at every turn, not even deigning to put on their own stockings, Katia and the young Mirkovs are expected to wash in cold water, dress themselves, and exercise outdoors no matter what the weather, as well as being required to study diligently and eat without speaking unless addressed by an adult. While the estate has immense orchards with many acres of fruit trees, the children are allowed only one pear and two plums each day. This restriction leads to the most memorable incident in the book. Katia came upon a porcelain basket of fruit in the drawing room and, being alone, extracted three plums and ate them. Although she confessed and repented with tears, she was punished some weeks...

(The entire section is 674 words.)