Katherine Anne Porter

Katherine Anne Porter Criticism

• Porter, Katherine Anne (Vol. 10)
  • Introduction
  • Strangers in a Strange Land: A Reading of 'Noon Wine'
  • Katherine Anne Porter and the Ordeal of Southern Womanhood
  • 'Her Great Art, Her Sober Craft': Katherine Anne Porter's Creative Process
• Porter, Katherine Anne (Vol. 1)
• Porter, Katherine Anne (Vol. 3)
• Porter, Katherine Anne (Vol. 101)
  • Introduction
  • Principal Works
  • Criticism
    • Flowering Judas
    • Flowering Judas
    • Katherine Anne Porter: Psychology as Art
    • Katherine Anne Porter's Crowning Work
    • The Responsibility of the Novelist: The Critical Reception of Ship of Fools
    • Placing Miss Porter
    • Symbolism, the Short Story, and 'Flowering Judas'
    • The Dreams Self in 'Pale Horse, Pale Rider'
    • The 'Booby Trap' of Love: Artist and Sadist in Katherine Anne Porter's Mexico Fiction
    • Letters of Katherine Anne Porter
    • The Jilting of (Hetero) Sexist Criticism: Porter's Ellen Weatherall and Hapsy
    • One Fixed Desire
    • The Love Ethos of Porter, Welty, and McCullers
    • The Angel of Malignity: The Cold Beauty of Katherine Anne Porter
  • Further Reading
• Porter, Katherine Anne (Vol. 7)
• Porter, Katherine Anne (Vol. 13)
  • Introduction
  • Christopher Isherwood
  • The Lady and the Temple: The Critical Theories of Katherine Anne Porter
  • Irony with a Center: Katherine Anne Porter
  • Deep Similarities in 'Noon Wine'
  • 'The Plantation of This Isle': Katharine Anne Porter's Bermuda Base
• Porter, Katherine Anne (Vol. 15)
  • 'Ship of Fools': Notes on Style
  • John Edward Hardy
  • Myth and Epiphany in Porter's 'The Grave'
  • Katherine Anne Porter, Journalist
• Porter, Katherine Anne (Vol. 27)
  • Introduction
  • Katherine Anne Porter: The Eye of the Story
  • Katherine Anne Porter's Feminist Criticism: Book Reviews from the 1920's
  • The Genius of Katherine Anne Porter
  • Katherine Anne Porter
  • Katherine Anne Porter and the South: A Corrective
• Porter, Katherine Anne
  • Introduction
  • Principal Works
  • Criticism
    • A Matter of Quality
    • 'The Grave' as Lyrical Short Story
    • Porter's ‘Hacienda’ and the Theme of Change
    • To Tell a Straight Story
    • The Upward Path: Notes on the Work of Katherine Anne Porter
    • Death's Other Kingdom: Dantesque and Theological Symbolism in ‘Flowering Judas’
    • Southern Myth: A Note on ‘Noon Wine’
    • Myth and Epiphany in Porter's ‘The Grave’
    • Life after Life: Katherine Anne Porter's Version
    • Narrative Irony and Hidden Motivations in Katherine Anne Porter's ‘He’
    • Mentioning the Tamales: Food and Drink in Katherine Anne Porter's Flowering Judas and Other Stories
    • The Making of ‘Flowering Judas’
    • Systems and Patterns
    • ‘Endless Remembering’: The Artistic Vision of Katherine Anne Porter
    • Miranda's Guarded Speech: Porter and the Problem of Truth-Telling
    • Non-Identical Twins: Nature and ‘The Garden Party’ and ‘The Grave’
    • Literary Criticism, Katherine Anne Porter's Consciousness, and the Silver Dove
    • ‘Mingled Sweetness and Corruption’: Katherine Anne Porter's ‘The Fig Tree’ and ‘The Grave’
    • Death and Repetition in Porter's Miranda Stories
    • ‘The Man in the Tree’: Katherine Anne Porter's Unfinished Lynching Story
    • Katherine Anne Porter, Politics, and Another Reading of ‘Theft’
    • Reading the Endings in Katherine Anne Porter's ‘Old Mortality’
    • The Achievement of the Miranda Stories
    • South by Southwest: Texas and the Deep South in the Stories of Katherine Anne Porter
    • Granny Weatherall: A Life of Quiet Desperation
    • ‘A Little Stolen Holiday’: Katherine Anne Porter's Narrative of the Woman Artist
    • One Singer Left to Mourn: Death and Discourse in Porter's ‘Pale Horse, Pale Rider’
  • Further Reading