Kate Chopin Criticism
-
Chopin, Kate (Short Story Criticism)
- Introduction
- Principal Works
-
Criticism
- Kate Chopin's New Orleans Years
- Chopin's ‘Désirée's Baby’
- Kate Chopin's ‘Charlie’
- Insistent Refrains and Self-Discovery: Accompanied Awakenings in Three Stories by Kate Chopin
- The Can River Characters and Revisionist Mythmaking in the Work of Kate Chopin
- Losing the Battle but Winning the War: Resistance to Patriarchal Discourse in Kate Chopin's Short Fiction
- Fear, Freedom, and the Perils of Ethnicity: Otherness in Kate Chopin's ‘Beyond the Bayou’ and Zora Neale Hurston's ‘Sweat’
- Kate Chopin's Local Color Fiction and the Politics of White Supremacy
- ‘Acting Like Fools’: The Ill-Fated Romances of ‘At the 'Cadian Ball’ and ‘The Storm’
- ‘The House of Sylvie’ in Kate Chopin's ‘Athénaïse’
- The Politics of Rhetorical Strategy: Kate Chopin's ‘La Belle Zoraïde’
- Awakened Men in Kate Chopin's Creole Stories
- Fatal Self-Assertion in Kate Chopin's ‘The Story of an Hour’
- Kate Chopin's ‘One Story’: Casting a Shadowy Glance on the Ethics of Regionalism
- Kate Chopin's ‘Lilacs’ and the Myth of Persephone
- In Possession of the Letter: Kate Chopin's ‘Her Letters’
- Further Reading
-
Chopin, Kate (Twentieth-Century Literary Criticism)
- Introduction
- Principal Works
-
Criticism
- Kate Chopin's The Awakening as Feminist Criticism
- Symbolic Setting in Kate Chopin's ‘A Shameful Affair’
- A Note on Kate Chopin's ‘The White Eagle’
- The Awakening: A Political Romance
- Techniques of Distancing in the Fiction of Kate Chopin
- Illusion and Archetype: The Curious Story of Edna Pontellier
- Chopin's ‘A Shameful Affair.’
- The Female Artist in Kate Chopin's The Awakening: Birth and Creativity
- ‘A Language Which Nobody Understood’: Emancipatory Strategies in The Awakening
- Kate Chopin's The Awakening: An Assault on American Racial and Sexual Mythology
- The Awakening in a Course on Women in Literature
- Edna's Wisdom: A Transitional and Numinous Merging
- Tradition and the Female Talent: The Awakening as a Solitary Book
- The Historical and Cultural Setting
- Personal Property: Exchange Value and the Female Self in The Awakening
- Semiotic Subversion in ‘Désirée's Baby’
- Literature of Deliverance: Images of Nature in The Awakening
- The Strange Demise of Edna Pontellier
- Athena of Goose? Kate Chopin's Ironical Treatment of Motherhood in ‘Athénaïse.’
- Notes toward a fin-de-siècle Reading of Kate Chopin's The Awakening
- Chopin's ‘Ripe Figs.’
- Multi-Cultural Aesthetic in Kate Chopin's ‘A Gentleman of Bayou Teche.’
- Kate Chopin's Scribbling Women and the American Literary Marketplace
- The Awakening: Waking Up at the End of the Line
- Un-Utterable Longing: The Discourse of Feminine Sexuality in The Awakening
- Reader Activation of Boundaries in Kate Chopin's ‘Beyond the Bayou’
- Kate Chopin: Pre-Freudian Freudian
- Rethinking White Female Silences: Kate Chopin's Local Color Fiction and the Politics of White Supremacy
- Was Kate Chopin a Feminist?
- Unlinking Race and Gender: The Awakening as a Southern Novel
- Edna Pontellier's Revolt against Nature
- The Search for a Feminine Voice in the Works of Kate Chopin
- Kate Chopin and (Stretching) the Limits of Local Color Fiction
- Fatal Self-Assertion in Kate Chopin's ‘The Story of an Hour.’
- Further Reading